Life can be hard, life can be great. For years, the anonymous author of Dear Sugar was the one to turn to for advice. Now, the best of Cheryl Strayed’s online columns are collected in one place for you to enjoy– and learn from.
Leto, humor blogger and co-author of “Texts from Last Night,” now offers a fascinating field guide to the hearts and minds of readers everywhere. An unrelentingly witty and delightfully irreverent guide to the intricate world of passionate literary debate, at once skewering and celebrating great writers, from Dostoevsky to Ayn Rand to Jonathan Franzen, and all the people who read them.
Fans of Carlos Ruiz Zaf n’s The Shadow of the Wind and Sebastian Faulks’s Birdsong will fall in love with Winter in Madrid, the arresting new novel from C. J. Sansom. In September 1940, the Spanish Civil War is over and Madrid lies in ruins while the Germans continue their march through Europe. Britain stands alone as General Franco considers whether to abandon neutrality and enter the war.
Into this uncertain world comes Harry Brett, a privileged young man who was recently traumatized by his experience in Dunkirk and is now a reluctant spy for the British Secret Service. Sent to gain the confidence of Sandy Forsyth, an old school friend turned shadowy Madrid businessman, Brett finds himself involved in a dangerous game and surrounded by memories.
Meanwhile, Sandy’s girlfriend, ex-Red Cross nurse Barbara Clare, is engaged in a secret mission of her own—to find her former lover Bernie Piper, whose passion for the Communist cause led him into the International Brigades and who vanished on the bloody battlefields of the Jarama.
In a vivid and haunting depiction of wartime Spain, Winter in Madrid is an intimate and riveting tale that offers a remarkable sense of history unfolding and the profound impact of impossible choices.
When Victoria Loustalot was eight years old her father swept her up in a fantasy: a trip around the world. It was a grandiose plan and she had fallen for it. But it had never been so much as a possibility. Victoria’s father was sick. He was HIV positive and soon to fall prey to AIDS. Three years later he would be gone.
When Victoria realized that the grand trip with her father wasn’t going to happen, she was devastated. Her mother assumed she’d get over it, that eventually it would become just a shrug. But it didn’t. In the years to come, Victoria wondered what it would have been like to have been alone with her dad all those months, to see him outside of his sickness, beyond anything related to their family or their life. To have been with him in a new context. That’s what she wanted. And that’s what she did.
Some fifteen years after that initial promise, Victoria went to Stockholm, to Angkor Wat, and to Paris. She went to the places they were meant to see together, and she went to make peace with her father, too. Because while he’d always be forty-four, she’d gone on accumulating birthdays. Every year, her understanding of him continued to evolve and their relationship was still alive. Victoria Loustalot felt trapped beneath all of the unanswered questions he left behind. She needed to be set free. She needed to say goodbye.
Now the Edgar Award-winning author returns with his most accomplished and resonant novel so far; an atmospheric drama set in rural Mississippi. In the late 1970s, Larry Ott and Silas “32” Jones were boyhood pals. Their worlds were as different as night and day: Larry, the child of lower-middle-class white parents, and Silas, the son of a poor, single black mother. Yet for a few months the boys stepped outside of their circumstances and shared a special bond. But then tragedy struck: Larry took a girl on a date to a drive-in movie, and she was never heard from again. She was never found and Larry never confessed, but all eyes rested on him as the culprit. The incident shook the county and perhaps Silas most of all. His friendship with Larry was broken, and then Silas left town.
More than twenty years have passed. Larry, a mechanic, lives a solitary existence, never able to rise above the whispers of suspicion. Silas has returned as a constable. He and Larry have no reason to cross paths until another girl disappears and Larry is blamed again. And now the two men who once called each other friend are forced to confront the past they’ve buried and ignored for decades.
As a part-time hospice volunteer, Eric Lindner provides companion care to dying strangers. They re chatterboxes and recluses, religious and irreligious, battered by cancer, congestive heart failure, Alzheimer s, old age. Some cling to life amazingly. Most pass as they expected. In telling his story, Lindner reveals the thoughts, fears, and lessons of those living the ends of their lives in the care of others, having exhausted their medical options or ceased treatment for their illnesses. In each chapter, Lindner not only reveals the lessons of lives explored in their final days, but zeroes in on how working for hospice can be incredibly fulfilling. As he s not a doctor, nurse, or professional social worker, just a volunteer lending a hand, offering a respite for other care providers, his charges often reveal more, and in more detail, to him than they do to those with whom they spend the majority of their time. They impart what they feel are life lessons as they reflect on their own lives and the prospect of their last days. Lindner captures it all in his lively storytelling. Anyone who knows or loves someone working through end of life issues, living in hospice or other end of life facilities, or dealing with terminal or chronic illnesses, will find in these pages the wisdom of those who are working through their own end of life issues, tackling life s big questions, and boiling them down into lessons for anyone as they age or face illness. And those who may feel compelled to volunteer to serve as companions will find motivation, inspiration, and encouragement. Rather than sink under the weight of depression, pity, or sorrow, Lindner celebrates the lives of those who choose to live even as they die.
Raymond Donne’s former student Douglas Lee had everything going for him thanks to a scholarship to an exclusive private school in Manhattan, but all of that falls apart when his body is found below the Williamsburg Bridge with a dozen knife wounds in it. That kind of violence would normally get some serious attention from the police and media except when it’s accompanied by signs that it could be gang related. When that’s the case, the story dies and the police are happy to settle for the straightforward explanation. Dougie’s mom isn’t having any of that and asks Ray, who had been a cop before an accident cut his career short, to look into it, unofficially. He does what he can, asking questions, doling out information to the press, and filling in some holes in the investigation, but he doesn’t get far before one of Dougie’s private school friends is killed and another is put in the hospital.
What kind of trouble could a couple of sheltered kids get into that would end like that? And what does is have to do with Dougie’s death? None of it adds up, but there’s no way Ray can just wait around for something to happen.
Following on the heels of his acclaimed debut, Tim O’Mara’s Crooked Numbers is another outstanding mystery that brings the streets of Brooklyn and Manhattan to life and further solidifies O’Mara’s place among the most talented new crime fiction writers working today.
1987. There’s only one person who has ever truly understood fourteen-year-old June Elbus, and that’s her uncle, the renowned painter Finn Weiss. Shy at school and distant from her older sister, June can only be herself in Finn’s company; he is her godfather, confidant, and best friend. So when he dies, far too young, of a mysterious illness her mother can barely speak about, June’s world is turned upside down. But Finn’s death brings a surprise acquaintance into June’s life—someone who will help her to heal, and to question what she thinks she knows about Finn, her family, and even her own heart.
At Finn’s funeral, June notices a strange man lingering just beyond the crowd. A few days later, she receives a package in the mail. Inside is a beautiful teapot she recognizes from Finn’s apartment, and a note from Toby, the stranger, asking for an opportunity to meet. As the two begin to spend time together, June realizes she’s not the only one who misses Finn, and if she can bring herself to trust this unexpected friend, he just might be the one she needs the most.
“Food Lit: A Reader’s Guide to Epicurean Nonfiction” provides a much-needed resource for librarians assisting adult readers interested in the topic of food–a group that is continuing to grow rapidly. Containing annotations of hundreds of nonfiction titles about food that are arranged into genre and subject interest categories for easy reference, the book addresses a diversity of reading experiences by covering everything from foodie memoirs and histories of food to extreme cuisine and food exposes.
Author Melissa Stoeger has organized and described hundreds of nonfiction titles centered on the themes of food and eating, including life stories, history, science, and investigative nonfiction. The work emphasizes titles published in the past decade without overlooking significant benchmark and classic titles. It also provides lists of suggested read-alikes for those titles, and includes several helpful appendices of fiction titles featuring food, food magazines, and food blogs.
Throughout her recent bout with breast cancer, Letty Cottin Pogrebin became fascinated by her friends’ and family’s diverse reactions to her and her illness: how awkwardly some of them behaved; how some misspoke or misinterpreted her needs; and how wonderful it was when people read her right. She began talking to her fellow patients and dozens of other veterans of serious illness, seeking to discover what sick people wished their friends knew about how best to comfort, help, and even simply talk to them.
Now Pogrebin has distilled their collective stories and opinions into this wide-ranging compendium of pragmatic guidance and usable wisdom. Her advice is always infused with sensitivity, warmth, and humor. It is embedded in candid stories from her own and others’ journeys, and their sometimes imperfect interactions with well-meaning friends. How to Be a Friend to a Friend Who’s Sick is an invaluable guidebook for anyone hoping to rise to the challenges of this most important and demanding passage of friendship.
More than two decades after moving to Saudi Arabia and marrying powerful Abdullah Baylani, American-born Rosalie learns that her husband has taken a second wife. That discovery plunges their family into chaos as Rosalie grapples with leaving Saudi Arabia, her life, and her family behind. Meanwhile, Abdullah and Rosalie’s consuming personal entanglements blind them to the crisis approaching their sixteen-year-old son, Faisal, whose deepening resentment toward their lifestyle has led to his involvement with a controversial sheikh. When Faisal makes a choice that could destroy everything his embattled family holds dear, all must confront difficult truths as they fight to preserve what remains of their world.
“The Ruins of Us” is a timely story about intolerance, family, and the injustices we endure for love that heralds the arrival of an extraordinary new voice in contemporary fiction.
Mary Dinuzio has just been promoted to partner and is about to take on her most unusual case yet, brought to the firm by a thirteen-year-old genius with a penchant for beekeeping. Allegra Gardner’s sister Fiona was murdered six years ago, and it seemed like an open-and-shut case: the accused, Lonnie Stall, was seen fleeing the scene; his blood was on Fiona and her blood was on him; most damningly, Lonnie Stall pleaded guilty. But Allegra believes Lonnie is innocent and has been wrongly imprisoned. The Gardner family is one of the most powerful in the country and Allegra’s parents don’t believe in reopening the case, so taking it on is risky. But the Rosato & Associates firm can never resist an underdog. Was justice really served all those years ago? It will take a team of unstoppable female lawyers, plus one thirteen-year-old genius, to find out.
For over a hundred years, the Angelini Shoe Company in Greenwich Village has relied on the leather produced by Vechiarelli & Son in Tuscany. This historic business partnership provides the twist of fate for Valentine Roncalli, the school teacher turned shoemaker, to fall in love with Gianluca Vechiarelli, a tanner with a complex past . . . and a secret.
A piece of surprising news is revealed at The Feast of the Seven Fishes when Valentine and Gianluca join her extended family on a fateful Christmas Eve. Now faced with life altering choices, Valentine remembers the wise words that inspired her in the early days of her beloved Angelini Shoe Company: “A person who can build a pair of shoes can do just about anything.” The proud, passionate Valentine is going to fight for everything she wants and savor all she deserves-the bitter and the sweetness of life itself.
Romantic and poignant, told with humor and warmth, and bursting with a cast of endearing characters, The Supreme Macaroni Company is a sumptuous feast of delights: a portrait of a woman and the man she loves, her passion for craftsmanship, and the sacrifices it takes to build and sustain a family business while keeping love and laughter at the center of everything.
They had nothing in common until love gave them everything to lose Louisa Clark is an ordinary girl living an exceedingly ordinary life–steady boyfriend, close family–who has never been farther afield than their tiny village. She takes a badly needed job working for ex-Master of the Universe Will Traynor, who is wheelchair bound after a motorcycle accident. Will has always lived a huge life–big deals, extreme sports, worldwide travel–and now he’s pretty sure he cannot live the way he is. Will is acerbic, moody, bossy–but Lou refuses to treat him with kid gloves, and soon his happiness means more to her than she expected. When she learns that Will has shocking plans of his own, she sets out to show him that life is still worth living. A Love Story for this generation, Me Before You brings to life two people who couldn’t have less in common–a heartbreakingly romantic novel that asks, What do you do when making the person you love happy also means breaking your own heart?
Former U.S. Marshal Simon Fisk works as a private contractor, tracking down and recovering children who were kidnapped by their own estranged parents. He only has one rule: he won’t touch stranger abduction cases. He’s still haunted by the disappearance of his own daughter when she was just a child, still unsolved, and stranger kidnappings hit too close to home.
Until, that is, six-year-old Lindsay Sorkin disappears from her parents’ hotel room in Paris, and the French police deliver Simon an ultimatum: he can spend years in a French jail, or he can take the case and recover the missing girl. Simon sets out in pursuit of Lindsay and the truth behind her disappearance. But Lindsay’s captors did not leave an easy trail, and following it will take Simon across the continent, through the ritziest nightclubs and the seediest back alleys, into a terrifying world of international intrigue and dark corners of his past he’d rather leave well alone.
When this award-winning husband-and-wife team discovered that they each had sugar in their family history, they were inspired to trace the globe-spanning story of the sweet substance and to seek out the voices of those who led bitter sugar lives. The trail ran like a bright band from religious ceremonies in India to Europe’s Middle Ages, then on to Columbus, who brought the first cane cuttings to the Americas. Sugar was the substance that drove the bloody slave trade and caused the loss of countless lives but it also planted the seeds of revolution that led to freedom in the American colonies, Haiti, and France. With songs, oral histories, maps, and over 80 archival illustrations, here is the story of how one product allows us to see the grand currents of world history in new ways. Time line, source notes, bibliography, index.
In 1916, French artist Edouard Lefevre leaves his wife Sophie to fight at the Front. When her town falls into German hands, his portrait of Sophie stirs the heart of the local Kommandant and causes her to risk everything – her family, reputation and life – in the hope of seeing her true love one last time.
Nearly a century later and Sophie’s portrait is given to Liv by her young husband shortly before his sudden death. Its beauty speaks of their short life together, but when the painting’s dark and passion-torn history is revealed, Liv discovers that the first spark of love she has felt since she lost him is threatened…
In The Girl You Left Behind two young women, separated by a century, are united in their determination to fight for the thing they love most – whatever the cost.
Sussex, England. A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn’t thought of Lettie in decades, and yet as he sits by the pond (a pond that she’d claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.
Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.
A groundbreaking work from a master, The Ocean at the End of the Laneis told with a rare understanding of all that makes us human, and shows the power of stories to reveal and shelter us from the darkness inside and out. It is a stirring, terrifying, and elegiac fable as delicate as a butterfly’s wing and as menacing as a knife in the dark.
Tim Russert is dead.
But the room was alive.
Big Ticket Washington Funerals can make such great networking opportunities. Power mourners keep stampeding down the red carpets of the Kennedy Center, handing out business cards, touching base. And there is no time to waste in a gold rush, even (or especially) at a solemn tribal event like this.
Washington—This Town—might be loathed from every corner of the nation, yet these are fun and busy days at this nexus of big politics, big money, big media, and big vanity. There are no Democrats and Republicans anymore in the nation’s capital, just millionaires. That is the grubby secret of the place in the twenty-first century. You will always have lunch in This Town again. No matter how many elections you lose, apologies you make, or scandals you endure.
In This Town, Mark Leibovich, chief national correspondent for The New York Times Magazine, presents a blistering, stunning—and often hysterically funny—examination of our ruling class’s incestuous “media industrial complex.” Through his eyes, we discover how the funeral for a beloved newsman becomes the social event of the year. How political reporters are fetishized for their ability to get their names into the predawn e-mail sent out by the city’s most powerful and puzzled-over journalist. How a disgraced Hill aide can overcome ignominy and maybe emerge with a more potent “brand” than many elected members of Congress. And how an administration bent on “changing Washington” can be sucked into the ways of This Town with the same ease with which Tea Party insurgents can, once elected, settle into it like a warm bath.
Outrageous, fascinating, and destined to win Leibovich a whole host of, er, new friends, This Town is must reading, whether you’re inside the Beltway—or just trying to get there.
Four decades of memories from a gastronome who witnessed the food revolution from the (well-provisioned) trenches–a delicious tour through contemporary food history. When Raymond Sokolov became food editor of The New York Times in 1971, he began a long, memorable career as restaurant critic, food historian, and author. Here he traces the food scene he reported on in America and abroad, from his pathbreaking dispatches on nouvelle cuisine chefs like Paul Bocuse and Michel Guérard in France to the rise of contemporary American food stars like Thomas Keller and Grant Achatz, and the fruitful collision of science and cooking in the kitchens of El Bulli in Spain, the Fat Duck outside London, and Copenhagen’s gnarly Noma. Sokolov invites readers to join him as a privileged observer of the most transformative period in the history of cuisine with this personal narrative of the sensual education of an accidental gourmet. We dine out with him at temples of haute cuisine like New York’s Lutèce but also at a pioneering outpost of Sichuan food in a gas station in New Jersey, at a raunchy Texas chili cookoff, and at a backwoods barbecue shack in Alabama, as well as at three-star restaurants from Paris to Las Vegas. Steal the Menu is, above all, an entertaining and engaging account of a tumultuous period of globalizing food ideas and frontier-crossing ingredients that produced the unprecedentedly rich and diverse way of eating we enjoy today.