In an elite college in a once-decaying New England city, Steven Brookman has come to a decision. A brilliant but careless professor, he has determined that for the sake of his marriage, and his soul, he must extract himself from his relationship with Maud Stack, his electrifying student, whose papers are always late and too long yet always incandescent. But Maud is a young woman whose passions are not easily contained or curtailed, and their union will quickly yield tragic and far-reaching consequences.
As in Robert Stone’s most acclaimed novels, here he conjures a complex moral universe where nothing is black and white, even if the characters—always complicated, always compelling—wish it were. The stakes of Brookman and Maud’s relationship prove higher than either one could have anticipated, pitting individuals against one another and against the institutions meant to protect them.
Death of the Black-Haired Girl is a powerful tale of infidelity, accountability, the allure of youth, the promise of absolution, and the notion that madness is everywhere, in plain sight.
An instant American icon–the first Hispanic on the U.S. Supreme Court–tells the story of her life before becoming a judge in an inspiring, surprisingly personal memoir.
With startling candor and intimacy, Sonia Sotomayor recounts her life from a Bronx housing project to the federal bench, a progress that is testament to her extraordinary determination and the power of believing in oneself. She writes of her precarious childhood and the refuge she took with her passionately spirited paternal grandmother. She describes her resolve as a young girl to become a lawyer, and how she made this dream become reality: valedictorian of her high school class, summa cum laude at Princeton, Yale Law, prosecutor in the Manhattan D.A.’s office, private practice, federal district judge before the age of forty. She writes about her deeply valued mentors, about her failed marriage, about her cherished family of friends. Through her still-astonished eyes, America’s infinite possibilities are envisioned anew in this warm and honest book, destined to become a classic of self-discovery and self-invention, alongside Barack Obama’s Dreams from My Father.
Still Life with Bread Crumbs begins with an imagined gunshot and ends with a new tin roof. Between the two is a wry and knowing portrait of Rebecca Winter, a photographer whose work made her an unlikely heroine for many women. Her career is now descendant her bank balance shaky, and she has fled the city for the middle of nowhere. There she discovers, in a tree stand with a roofer named Jim Bates, that what she sees through a camera lens is not all there is to life.
Brilliantly written, powerfully observed, Still Life with Bread Crumbs is a deeply moving and often very funny story of unexpected love, and a stunningly crafted journey into the life of a woman, her heart, her mind, her days, as she discovers that life is a story with many levels, a story that is longer and more exciting than she ever imagined.
Donna Leon has won a huge number of passionate fans and a tremendous amount of critical acclaim for her international bestselling mystery series featuring Venetian Commissario Guido Brunetti. These accolades have built up not just for her intricate plots and gripping narratives, but for her insight into the culture, politics, family-life, and history of Venice, one of the world’s most-treasured cities, and Leon’s home for over thirty years. Readers love how Leon opens the doors to a private Venice, beyond the reach of the millions of international tourists who delight in the city’s canals, food, and art every year.
My Venice and Other Essays will be a treat for Leon’s many fans, as well as for lovers of Italy and La Serenissima. For many years, Leon, who is a perennial #1 bestseller in Germany, has written essays for European publications. Collected here are the best of these: over fifty funny, charming, passionate, and insightful essays that range from battles over garbage in the canals to the troubles with rehabbing Venetian real estate. She shares episodes from her life in Venice, explores her love of opera, and recounts tales from in and around her country house in the mountains. With pointed observations and humor, she also explores her family history and former life in New Jersey, and the idea of the Italian man.
When Felix Brewer meets nineteen-year-old Bernadette “Bambi” Gottschalk at a Valentine’s Dance in 1959, he charms her with wild promises, some of which he actually keeps. Thanks to his lucrative-if not all legal-businesses, she and their three little girls live in luxury. But on the Fourth of July, 1976, Bambi’s comfortable world implodes when Felix, newly convicted and facing prison, mysteriously vanishes.
Though Bambi has no idea where her husband-or all of his money-might be, she suspects one woman does: his devoted young mistress, Julie. When Julie disappears ten years to the day that Felix went on the lam, everyone assumes she’s left to join her old lover-until her remains are eventually found in a secluded wooded park.
Now, twenty-six years after Julie went missing, Roberto “Sandy” Sanchez, a retired Baltimore detective working cold cases for some extra cash, is investigating her murder. What he discovers is a tangled web of bitterness, jealously, resentment, greed, and longing stretching over three decades that connects five intriguing women: a faithful wife, a dead mistress, and three very different daughters. And at the center is the man who, though long gone, has never been forgotten by the five women who loved him: the enigmatic Felix Brewer.
Somewhere between the secrets and lies connecting past and present, Sandy will find the truth. And when he does, no one will ever be the same.
It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still.
Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement.
In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of I Am the Messenger, has given us one of the most enduring stories of our time.
TV writer Hilary Winston offers up a witty collection of autobiographical tales about her misadventures in dating.
Just when Hilary feels like her life is finally in order, she gets a sucker-punch to the gut: Her ex has written a novel based on their relationship in which he refers to her throughout as the “fat-assed girlfriend.” Her response to this affront is just one of the many hilarious stories in My Boyfriend Wrote a Book About Me–a laugh-out-loud, tell-all in which Hilary sets the record straight on all her exes.
In this heartbreakingly beautiful book of disillusioned intimacy and persistent yearning, beloved and celebrated author Andre Dubus III explores the bottomless needs and stubborn weaknesses of people seeking gratification in food and sex, work and love.
In these linked novellas in which characters walk out the back door of one story and into the next, love is “dirty”—tangled up with need, power, boredom, ego, fear, and fantasy. On the Massachusetts coast north of Boston, a controlling manager, Mark, discovers his wife’s infidelity after twenty-five years of marriage. An overweight young woman, Marla, gains a romantic partner but loses her innocence. A philandering bartender/aspiring poet, Robert, betrays his pregnant wife. And in the stunning title novella, a teenage girl named Devon, fleeing a dirty image of her posted online, seeks respect in the eyes of her widowed great-uncle Francis and of an Iraq vet she’s met surfing the Web.
Slivered by happiness and discontent, aging and death, but also persistent hope and forgiveness, these beautifully wrought narratives express extraordinary tenderness toward human beings, our vulnerable hearts and bodies, our fulfilling and unfulfilling lives alone and with others.
Few westerners will ever be able to understand Muslim or Afghan society unless they are part of a Muslim family. Twenty years old and in love, Phyllis Chesler, a Jewish-American girl from Brooklyn, embarked on an adventure that has lasted for more than a half-century. In 1961, when she arrived in Kabul with her Afghan bridegroom, authorities took away her American passport. Chesler was now the property of her husband’s family and had no rights of citizenship. Back in Afghanistan, her husband, a wealthy, westernized foreign college student with dreams of reforming his country, reverted to traditional and tribal customs. Chesler found herself unexpectedly trapped in a posh polygamous family, with no chance of escape. She fought against her seclusion and lack of freedom, her Afghan family’s attempts to convert her from Judaism to Islam, and her husband’s wish to permanently tie her to the country through childbirth. Drawing upon her personal diaries, Chesler recounts her ordeal, the nature of gender apartheid–and her longing to explore this beautiful, ancient, and exotic country and culture. Chesler nearly died there but she managed to get out, returned to her studies in America, and became an author and an ardent activist for women’s rights throughout the world. “An American Bride in Kabul “is the story of how a naive American girl learned to see the world through eastern as well as western eyes and came to appreciate Enlightenment values. This dramatic tale re-creates a time gone by, a place that is no more, and shares the way in which Chesler turned adversity into a passion for world-wide social, educational, and political reform.
“Tiny Beautiful Things” brings the best of Cheryl Strayed’s published and never-before-published online columns in one place and includes a new introduction by Steve Almond.
Life can be hard, life can be great. For years, the anonymous author of Dear Sugar was the one to turn to for advice. Now, the best of Cheryl Strayed’s online columns are collected in one place for you to enjoy– and learn from.
Leto, humor blogger and co-author of “Texts from Last Night,” now offers a fascinating field guide to the hearts and minds of readers everywhere. An unrelentingly witty and delightfully irreverent guide to the intricate world of passionate literary debate, at once skewering and celebrating great writers, from Dostoevsky to Ayn Rand to Jonathan Franzen, and all the people who read them.
Fans of Carlos Ruiz Zaf n’s The Shadow of the Wind and Sebastian Faulks’s Birdsong will fall in love with Winter in Madrid, the arresting new novel from C. J. Sansom. In September 1940, the Spanish Civil War is over and Madrid lies in ruins while the Germans continue their march through Europe. Britain stands alone as General Franco considers whether to abandon neutrality and enter the war.
Into this uncertain world comes Harry Brett, a privileged young man who was recently traumatized by his experience in Dunkirk and is now a reluctant spy for the British Secret Service. Sent to gain the confidence of Sandy Forsyth, an old school friend turned shadowy Madrid businessman, Brett finds himself involved in a dangerous game and surrounded by memories.
Meanwhile, Sandy’s girlfriend, ex-Red Cross nurse Barbara Clare, is engaged in a secret mission of her own—to find her former lover Bernie Piper, whose passion for the Communist cause led him into the International Brigades and who vanished on the bloody battlefields of the Jarama.
In a vivid and haunting depiction of wartime Spain, Winter in Madrid is an intimate and riveting tale that offers a remarkable sense of history unfolding and the profound impact of impossible choices.
A razor-sharp memoir in which a young woman travels to Cambodia, Stockholm, and Paris to overcome the legacy of her difficult and charismatic father
When Victoria Loustalot was eight years old her father swept her up in a fantasy: a trip around the world. It was a grandiose plan and she had fallen for it. But it had never been so much as a possibility. Victoria’s father was sick. He was HIV positive and soon to fall prey to AIDS. Three years later he would be gone.
When Victoria realized that the grand trip with her father wasn’t going to happen, she was devastated. Her mother assumed she’d get over it, that eventually it would become just a shrug. But it didn’t. In the years to come, Victoria wondered what it would have been like to have been alone with her dad all those months, to see him outside of his sickness, beyond anything related to their family or their life. To have been with him in a new context. That’s what she wanted. And that’s what she did.
Some fifteen years after that initial promise, Victoria went to Stockholm, to Angkor Wat, and to Paris. She went to the places they were meant to see together, and she went to make peace with her father, too. Because while he’d always be forty-four, she’d gone on accumulating birthdays. Every year, her understanding of him continued to evolve and their relationship was still alive. Victoria Loustalot felt trapped beneath all of the unanswered questions he left behind. She needed to be set free. She needed to say goodbye.
Tom Franklin’s narrative power and flair for characterization have been compared to the likes of Harper Lee, Flannery O’Connor, Elmore Leonard, and Cormac McCarthy.
Now the Edgar Award-winning author returns with his most accomplished and resonant novel so far; an atmospheric drama set in rural Mississippi. In the late 1970s, Larry Ott and Silas “32″ Jones were boyhood pals. Their worlds were as different as night and day: Larry, the child of lower-middle-class white parents, and Silas, the son of a poor, single black mother. Yet for a few months the boys stepped outside of their circumstances and shared a special bond. But then tragedy struck: Larry took a girl on a date to a drive-in movie, and she was never heard from again. She was never found and Larry never confessed, but all eyes rested on him as the culprit. The incident shook the county and perhaps Silas most of all. His friendship with Larry was broken, and then Silas left town.
More than twenty years have passed. Larry, a mechanic, lives a solitary existence, never able to rise above the whispers of suspicion. Silas has returned as a constable. He and Larry have no reason to cross paths until another girl disappears and Larry is blamed again. And now the two men who once called each other friend are forced to confront the past they’ve buried and ignored for decades.
As a part-time hospice volunteer, Eric Lindner provides companion care to dying strangers. They re chatterboxes and recluses, religious and irreligious, battered by cancer, congestive heart failure, Alzheimer s, old age. Some cling to life amazingly. Most pass as they expected. In telling his story, Lindner reveals the thoughts, fears, and lessons of those living the ends of their lives in the care of others, having exhausted their medical options or ceased treatment for their illnesses. In each chapter, Lindner not only reveals the lessons of lives explored in their final days, but zeroes in on how working for hospice can be incredibly fulfilling. As he s not a doctor, nurse, or professional social worker, just a volunteer lending a hand, offering a respite for other care providers, his charges often reveal more, and in more detail, to him than they do to those with whom they spend the majority of their time. They impart what they feel are life lessons as they reflect on their own lives and the prospect of their last days. Lindner captures it all in his lively storytelling. Anyone who knows or loves someone working through end of life issues, living in hospice or other end of life facilities, or dealing with terminal or chronic illnesses, will find in these pages the wisdom of those who are working through their own end of life issues, tackling life s big questions, and boiling them down into lessons for anyone as they age or face illness. And those who may feel compelled to volunteer to serve as companions will find motivation, inspiration, and encouragement. Rather than sink under the weight of depression, pity, or sorrow, Lindner celebrates the lives of those who choose to live even as they die.
When one of Raymond Donne’s former students is found stabbed to death under the Williamsburg Bridge, Ray draws on his past as a cop to find the truth in Tim O’Mara’s second New York mystery.
Raymond Donne’s former student Douglas Lee had everything going for him thanks to a scholarship to an exclusive private school in Manhattan, but all of that falls apart when his body is found below the Williamsburg Bridge with a dozen knife wounds in it. That kind of violence would normally get some serious attention from the police and media except when it’s accompanied by signs that it could be gang related. When that’s the case, the story dies and the police are happy to settle for the straightforward explanation. Dougie’s mom isn’t having any of that and asks Ray, who had been a cop before an accident cut his career short, to look into it, unofficially. He does what he can, asking questions, doling out information to the press, and filling in some holes in the investigation, but he doesn’t get far before one of Dougie’s private school friends is killed and another is put in the hospital.
What kind of trouble could a couple of sheltered kids get into that would end like that? And what does is have to do with Dougie’s death? None of it adds up, but there’s no way Ray can just wait around for something to happen.
Following on the heels of his acclaimed debut, Tim O’Mara’s Crooked Numbers is another outstanding mystery that brings the streets of Brooklyn and Manhattan to life and further solidifies O’Mara’s place among the most talented new crime fiction writers working today.
1987. There’s only one person who has ever truly understood fourteen-year-old June Elbus, and that’s her uncle, the renowned painter Finn Weiss. Shy at school and distant from her older sister, June can only be herself in Finn’s company; he is her godfather, confidant, and best friend. So when he dies, far too young, of a mysterious illness her mother can barely speak about, June’s world is turned upside down. But Finn’s death brings a surprise acquaintance into June’s life—someone who will help her to heal, and to question what she thinks she knows about Finn, her family, and even her own heart.
At Finn’s funeral, June notices a strange man lingering just beyond the crowd. A few days later, she receives a package in the mail. Inside is a beautiful teapot she recognizes from Finn’s apartment, and a note from Toby, the stranger, asking for an opportunity to meet. As the two begin to spend time together, June realizes she’s not the only one who misses Finn, and if she can bring herself to trust this unexpected friend, he just might be the one she needs the most.
“Food Lit: A Reader’s Guide to Epicurean Nonfiction” provides a much-needed resource for librarians assisting adult readers interested in the topic of food–a group that is continuing to grow rapidly. Containing annotations of hundreds of nonfiction titles about food that are arranged into genre and subject interest categories for easy reference, the book addresses a diversity of reading experiences by covering everything from foodie memoirs and histories of food to extreme cuisine and food exposes.
Author Melissa Stoeger has organized and described hundreds of nonfiction titles centered on the themes of food and eating, including life stories, history, science, and investigative nonfiction. The work emphasizes titles published in the past decade without overlooking significant benchmark and classic titles. It also provides lists of suggested read-alikes for those titles, and includes several helpful appendices of fiction titles featuring food, food magazines, and food blogs.
Everyone knows someone who’s sick or suffering. Yet when a friend or relative is under duress many of us feel uncertain about how to cope.
Throughout her recent bout with breast cancer, Letty Cottin Pogrebin became fascinated by her friends’ and family’s diverse reactions to her and her illness: how awkwardly some of them behaved; how some misspoke or misinterpreted her needs; and how wonderful it was when people read her right. She began talking to her fellow patients and dozens of other veterans of serious illness, seeking to discover what sick people wished their friends knew about how best to comfort, help, and even simply talk to them.
Now Pogrebin has distilled their collective stories and opinions into this wide-ranging compendium of pragmatic guidance and usable wisdom. Her advice is always infused with sensitivity, warmth, and humor. It is embedded in candid stories from her own and others’ journeys, and their sometimes imperfect interactions with well-meaning friends. How to Be a Friend to a Friend Who’s Sick is an invaluable guidebook for anyone hoping to rise to the challenges of this most important and demanding passage of friendship.
More than two decades after moving to Saudi Arabia and marrying powerful Abdullah Baylani, American-born Rosalie learns that her husband has taken a second wife. That discovery plunges their family into chaos as Rosalie grapples with leaving Saudi Arabia, her life, and her family behind. Meanwhile, Abdullah and Rosalie’s consuming personal entanglements blind them to the crisis approaching their sixteen-year-old son, Faisal, whose deepening resentment toward their lifestyle has led to his involvement with a controversial sheikh. When Faisal makes a choice that could destroy everything his embattled family holds dear, all must confront difficult truths as they fight to preserve what remains of their world.
“The Ruins of Us” is a timely story about intolerance, family, and the injustices we endure for love that heralds the arrival of an extraordinary new voice in contemporary fiction.