It’s been fifty years since Antonio Grasso married Maddalena and brought her to America. That was the last time she saw her parents, her sisters and brothers– everything she knew and loved in the village of Santa Cecilia, Italy. Their daughter Prima was raised on the lore of the Old Country. And as she sees her parents aging, she hatches the idea to take the entire family back to Italy– hoping to reunite Maddalena with her estranged sister and let her parents see their homeland one last time.
Six years have passed since Jake Sanders watched Natalie, the love of his life, marry another man. Six years of hiding a broken heart by throwing himself into his career as a college professor. Six years of keeping his promise to leave Natalie alone, and six years of tortured dreams of her life with her new husband, Todd. But six years haven’t come close to extinguishing his feelings, and when Jake comes across Todd’s obituary, he can’t keep himself away from the funeral. There he gets the glimpse of Todd’s wife he’s hoping for . . . but she is not Natalie. Whoever the mourning widow is, she’s been married to Todd for more than a decade, and with that fact everything Jake thought he knew about the best time of his life–a time he has never gotten over–is turned completely inside out. As Jake searches for the truth, his picture-perfect memories of Natalie begin to unravel. Mutual friends of the couple either can’t be found or don’t remember Jake. No one has seen Natalie in years. Jake’s search for the woman who broke his heart, and who lied to him. soon puts his very life at risk as it dawns on him that the man he has become may be based on carefully constructed fiction.
This first book of poems dwells in lived experience-women and farms, women and men,raising kids, cooking bread, the front porch, the marriage bed. Terry Song has an uncanny ear for real voices.
Jack Till, who has retired from the LAPD after a respected career as a homicide detective, now works as a private investigator, comfortable chasing down routine cases while visiting his 24-year-old daughter, Holly, who has Down Syndrome. But when the parents of a recently murdered young girl, about Holly’s age, ask for his help when the police come up empty, Till reluctantly takes the case. It was discovered after her death that the victim had been working as a high-class prostitute, and the police are content to assume she was killed by a client, common in such a dangerous line of work. Yet as Till digs deeper, he realizes that the victim is just one of several young female escorts killed in different cities in the exact same way–all had strawberry blonde hair, and all were shot with a 9mm handgun in the sanctity of their apartments. Till must find his way around the tawdry and secretive online escort business, and decode ads placed by young women who all use false names, sometimes advertise using other women’s pictures, and move from city to city every few months. Yet when Till is finally able to catch up with the killer, he finds that the man he’s after is far more dangerous and volatile than he ever could have imagined. As the body count rises, Till must risk his life to find this seductive and ruthless killer whose murderous spree masks a far deadlier agenda.
From breakfast cereal to frozen pizza to nutrition bars, processed foods are a fundamental part of our diet, accounting for 65% of our nation’s yearly calories. Over the past century, technology has transformed the American meal into a chemical-laden smorgasbord of manipulated food products that bear little resemblence to what our grandparents ate. Despite the growing presence of farmers’ markets and organic offerings, food additives and chemical preservatives are nearly impossible to avoid, and even the most ostensibly healthy foods contain multisyllabic ingredients with nearly untraceable origins. The far-reaching implications of the industrialization of the food supply that privleges cheap, plentiful, and fast food have been well documented. They are dire. But how did we ever reach the point where ‘pink slime’ is an acceptable food product? Is anybody regulating what makes it into our food? What, after all, is actually safe to eat? Former York Times health columnist Melanie Warner combines deep investigatory reporting, culinary history, and cultural analysis, to find out how we got here and what it is we’re really eating. Vividly written and meticulously researched, Pandora’s Lunchbox blows the lid off the largely undocumented world of processed foods and food manipulation. From the vitamin “enrichments” to our fortified cereals and bread, to the soy mixtures that bolster chicken (and often outweigh the actual chicken included), Warner lays bare the dubious nutritional value and misleading labels of chemically-treated foods, as well as the potential price we–and our children–may pay.
How do restaurant workers live on some of the lowest wages in America? And how do poor working conditions-discriminatory labor practices, exploitation, and unsanitary kitchens-affect the meals that arrive at our restaurant tables? Saru Jayaraman, who launched the national restaurant workers’ organization Restaurant Opportunities Centers United, sets out to answer these questions by following the lives of restaurant workers in New York City, Washington, D.C., Philadelphia, Los Angeles, Chicago, Houston, Miami, Detroit, and New Orleans.
Blending personal narrative and investigative journalism, Jayaraman shows us that the quality of the food that arrives at our restaurant tables depends not only on the sourcing of the ingredients. Our meals benefit from the attention and skill of the people who chop, grill, sauté, and serve. Behind the Kitchen Door is a groundbreaking exploration of the political, economic, and moral implications of dining out. Jayaraman focuses on the stories of individuals, like Daniel, who grew up on a farm in Ecuador and sought to improve the conditions for employees at Del Posto; the treatment of workers behind the scenes belied the high-toned Slow Food ethic on display in the front of the house.
Increasingly, Americans are choosing to dine at restaurants that offer organic, fair-trade, and free-range ingredients for reasons of both health and ethics. Yet few of these diners are aware of the working conditions at the restaurants themselves. But whether you eat haute cuisine or fast food, the well-being of restaurant workers is a pressing concern, affecting our health and safety, local economies, and the life of our communities. Highlighting the roles of the 10 million people, many immigrants, many people of color, who bring their passion, tenacity, and vision to the American dining experience, Jayaraman sets out a bold agenda to raise the living standards of the nation’s second-largest private sector workforce-and ensure that dining out is a positive experience on both sides of the kitchen door.
Eleven-year-old Delphine has it together. Even though her mother, Cecile, abandoned her and her younger sisters, Vonetta and Fern, seven years ago. Even though her father and Big Ma will send them from Brooklyn to Oakland, California, to stay with Cecile for the summer. And even though Delphine will have to take care of her sisters, as usual, and learn the truth about the missing pieces of the past.
When the girls arrive in Oakland in the summer of 1968, Cecile wants nothing to do with them. She makes them eat Chinese takeout dinners, forbids them to enter her kitchen, and never explains the strange visitors with Afros and black berets who knock on her door. Rather than spend time with them, Cecile sends Delphine, Vonetta, and Fern to a summer camp sponsored by a revolutionary group, the Black Panthers, where the girls get a radical new education.
Set during one of the most tumultuous years in recent American history, one crazy summer is the heartbreaking, funny tale of three girls in search of the mother who abandoned them-an unforgettable story told by a distinguished author of books for children and teens, Rita Williams-Garcia.
Lillian and her restaurant have a way of drawing people together. There’s Al, the accountant who finds meaning in numbers and ritual; Chloe, a budding chef who hasn’t learned to trust after heartbreak; Finnegan, quiet and steady as a tree, who can disappear into the background despite his massive height; Louise, Al’s wife, whose anger simmers just below the boiling point; and Isabelle, whose memories are slowly slipping from her grasp. And there’s Lillian herself, whose life has taken a turn she didn’t expect. . . .Their lives collide and mix with those around them, sometimes joining in effortless connections, at other times sifting together and separating again, creating a family that is chosen, not given.
Set in New York City in 1938, Rules of Civility tells the story of a watershed year in the life of an uncompromising twenty-five-year- old named Katey Kontent. Armed with little more than a formidable intellect, a bracing wit, and her own brand of cool nerve, Katey embarks on a journey from a Wall Street secretarial pool through the upper echelons of New York society in search of a brighter future.
The story opens on New Year’s Eve in a Greenwich Village jazz bar, where Katey and her boardinghouse roommate Eve happen to meet Tinker Grey, a handsome banker with royal blue eyes and a ready smile. This chance encounter and its startling consequences cast Katey off her current course, but end up providing her unexpected access to the rarified offices of Conde Nast and a glittering new social circle. Befriended in turn by a shy, principled multimillionaire, an Upper East Side ne’er-do-well, and a single-minded widow who is ahead of her times, Katey has the chance to experience first hand the poise secured by wealth and station, but also the aspirations, envy, disloyalty, and desires that reside just below the surface. Even as she waits for circumstances to bring Tinker back into her orbit, she will learn how individual choices become the means by which life crystallizes loss.
Elegant and captivating, Rules of Civility turns a Jamesian eye on how spur of the moment decisions define life for decades to come. A love letter to a great American city at the end of the Depression, readers will quickly fall under its spell of crisp writing, sparkling atmosphere and breathtaking revelations, as Towles evokes the ghosts of Fitzgerald, Capote, and McCarthy.
At the request of his wife, Commissario Brunetti looks into the death of deaf, mentally disabled man who worked at their dry-cleaners and uncovers a mystery when the man left no official records and his mother is reluctant to speak to him.
When young, pretty Catherine Bailey meets Lee Brightman, she can’t believe her luck. Gorgeous, charismatic, and a bit mysterious, Lee seems almost too perfect to be true. But what begins as flattering attention and spontaneous, passionate sex transforms into raging jealousy, and Catherine soon discovers that Lee’s dazzling blue eyes and blond good looks hide a dark, violent nature. … Increasingly isolated and driven into the darkest corner of her world, a desperate Catherine plans a meticulous escape. Four years later, Lee is behind bars and Catherine–now Cathy–is trying to build a new life in a new city. … Stuart Richardson, her attractive new neighbor, moves in. Encouraging her to confront her fears, he sparks unexpected hope and the possibility of love and a normal life. Until the day the phone rings.
The author, the style savant cohost of TLC’s What Not to Wear examines the universal obstacles all women, including herself, put in their way. With her unique talent for seeing past disastrous wardrobes to the core emotional issues that caused these sartorial crises, she has transformed not only the looks but also the lives of hundreds of guests who have appeared on What Not to Wear. Now for the first time in print, she not only shares the principles of how to dress well, and why you should, but also examines the reasons why so many women don’t. She moves beyond the often intimidating seasonal trends of fashion, which so often leave women feeling inadequate and judgmental about their own bodies, to the more valuable and enduring concept of style: a way to dress that enhances and celebrates who they really are. And she turns that expert X-ray insight on herself. Like the women she’s transformed, she has plenty of emotional baggage. At eleven, she suffered from severe psoriasis that left her with permanent physical and mental scars. During college, she became anorexic on a misguided quest for perfection. By the time she joined the staff at Vogue, her weight had doubled from binge eating. Although self-esteem and self-consciousness nearly sabotaged a promising career, she learned the hard way that we wear our insecurities every day. It wasn’t until she found the self-confidence to develop a strong personal style that she finally became comfortable in her skin. In this book she shares her own often painful history and her philosophy of the healing power of personal style, illustrating it with a series of detailed “start-overs” with eight real women, demonstrating how personal style helps them overcome the emotional obstacles we all face. For anyone who has ever despaired of finding the right clothes, or even taking an objective assessment in a full-length mirror, this book is a guide to finding the expression of your truest self.
Keeping secrets, telling lies, they require the same skill. Both become a habit, almost an addiction, that’s hard to break even with the people closest to you, out of the business. For example, they say never trust a woman who tells you her age; if she can’t keep that secret, she can’t keep yours. I’m fifty-nine.” Brigid Quinn’s experiences in hunting sexual predators for the FBI have left her with memories she wishes she didn’t have and lethal skills she hopes never to need again. Having been pushed into early retirement by events she thinks she’s put firmly behind her, Brigid keeps telling herself she is settling down nicely in Tucson with a wonderful new husband, Carlo, and their dogs. But the past intervenes when a man named Floyd Lynch confesses to the worst unsolved case of Brigid’s career–the disappearance and presumed murder of her young protégée, Jessica. Floyd knows things about that terrible night that were never made public, and offers to lead the cops to Jessica’s body in return for a plea bargain. It should finally be the end of a dark chapter in Brigid’s life. Except…the new FBI agent on the case, Laura Coleman, thinks the confession is fake, and Brigid finds she cannot walk away from violence and retribution after all, no matter what the cost. With a fiercely original and compelling voice, Becky Masterman’s Rage Against the Dying marks the heart-stopping debut of a brilliant new thriller writer.
Immigration and the growing Latino population of the United States have become such contentious issues that it can be hard to have a civil conversation about how Latinoization is changing the face of America. So in the summer of 2007, Louis Mendoza set out to do just that. Starting from Santa Cruz, California, he bicycled 8,500 miles around the entire perimeter of the country, talking to people in large cities and small towns about their experiences either as immigrants or as residents who have welcomed–or not–Latino immigrants into their communities. He presented their enlightening, sometimes surprising, firsthand accounts in Conversations Across Our America: Talking About Immigration and the Latinoization of the United States.
Now, in A Journey Around Our America, Mendoza offers his own account of the visceral, emotional, intellectual, and spiritual dimensions of traveling the country in search of a deeper, broader understanding of what it means to be Latino in the United States in the twenty-first century. With a blend of first- and second-person narratives, blog entries, poetry, and excerpts from conversations he had along the way, Mendoza presents his own aspirations for and critique of social relations, political ruminations, personal experiences, and emotional vulnerability alongside the stories of people from all walks of life, including students, activists, manual laborers, and intellectuals. His conversations and his experiences as a Latino on the road reveal the multilayered complexity of Latino life today as no academic study or newspaper report ever could.
We Live in Water, the first collection of short fiction from New York Times bestselling author Jess Walter, is a suite of diverse, often comic stories about personal struggle and diminished dreams, all of them marked by the wry wit and generosity of spirit that has made him one of our most talked-about writers. In ‘Thief,’ a blue-collar worker turns unlikely detective to find out which of his kids is stealing from the family vacation fund. In ‘We Live in Water,’ a lawyer returns to a corrupt North Idaho town to find the father who disappeared thirty years earlier. In ‘Anything Helps,’ a homeless man has to ‘go to cardboard’ to raise enough money to buy his son the new Harry Potter book. In ‘Virgo,’ a local newspaper editor tries to get back at his superstitious ex-girlfriend by screwing with her horoscope. And the collection’s final story transforms slyly from a portrait of Walter’s hometown into a moving contemplation of our times.
Major Ernest Pettigrew (retired) leads a quiet life in the village of St. Mary, England, until his brother’s death sparks an unexpected friendship with Mrs. Jasmina Ali, the Pakistani shopkeeper from the village. Drawn together by their shared love of literature and the loss of their respective spouses, the Major and Mrs. Ali soon find their friendship blossoming into something more. But will their relationship survive in a society that considers Ali a foreigner?
Military Intelligence, Spy Story and Missing Persons intersect in this story of disgraced officer Thomas Kell searching across the hemisphere for Amelie Levene, who was supposed to have become the 1st female head of M16
Follows lives of two boys growing into manhood, both named Wes Moore, who lived in the same community, describing how the author grew up to be a Rhodes Scholar his counterpart suffered a life of violence and imprisonment.
Two brothers discuss over dinner how to handle the crimes their teenage sons have engaged in.
The story of Finbar Dolan advertising agent coming to terms with his past, present, and future; asking questions about living a meaningful life, and forming lasting connections.