When Theodora Tenpenny spills a bottle of rubbing alcohol on her late grandfather’s painting, she discovers what seems to be an old Renaissance masterpiece underneath. That’s great news for Theo, who’s struggling to hang onto her family’s two-hundred-year-old townhouse and support her unstable mother on her grandfather’s legacy of $463. There’s just one problem: Theo’s grandfather was a security guard at the Metropolitan Museum of Art, and she worries the painting may be stolen.
With the help of some unusual new friends, Theo’s search for answers takes her all around Manhattan, and introduces her to a side of the city—and her grandfather—that she never knew. To solve the mystery, she’ll have to abandon her hard-won self-reliance and build a community, one serendipitous friendship at a time.
Seventeen-year-old Althea is the sole support of her entire family, and she must marry well. But there are few wealthy suitors–or suitors of any kind–in their small Yorkshire town of Lesser Hoo. Then, the young and attractive (and very rich) Lord Boring arrives, and Althea sets her plans in motion. There’s only one problem; his friend and business manager Mr. Fredericks keeps getting in the way. And, as it turns out, Fredericks has his own set of plans.
In the quiet town of Magnolia, someone is a’ haunting, making people do awfully weird things. Eugene knows because he’s being haunted, too. His friend Sonny’s dad walked right off of a building and fell to his death, and then another friend’s dad crashed his car into a tree. The same “specter” that was haunting them is inside Eugene, talking to him, telling him to do crazy things! Along with the help of their friend (conveniently, the daughter of the town’s newspaper editor) Eugene and Sonny pledge to get to the bottom of the haunting. But not before uncovering a bigger mystery that will affect nearly every townsperson in sleepy little Magnolia…
“We saw the lightning and that was the guns; and then we heard the thunder and that was the big guns; and then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped.” —Harriet Tubman
In five years, Jesmyn Ward lost five young men in her life—to drugs, accidents, suicide, and the bad luck that can follow people who live in poverty, particularly black men. Dealing with these losses, one after another, made Jesmyn ask the question: Why? And as she began to write about the experience of living through all the dying, she realized the truth—and it took her breath away. Her brother and her friends all died because of who they were and where they were from, because they lived with a history of racism and economic struggle that fostered drug addiction and the dissolution of family and relationships. Jesmyn says the answer was so obvious she felt stupid for not seeing it. But it nagged at her until she knew she had to write about her community, to write their stories and her own.
Only a child can find the way to bring Saint George back to the play.
The Boy works for the Magician, and he wants more than anything to learn magic. But the Magician always says, “Not yet, Boy. Not till the time is right.” So the Boy has to be content with polishing the Magician’s wand, taking care of the rabbits the Magician pulls out of hats, and doing his favorite job: operating the puppets for the play Saint George and the Dragon, which the Magician always performs as part of his act.
Until one day the Saint George puppet disappears, and the angry Magician hurls the Boy into the strange Land of Story to find Saint George. His quest is full of adventures with oddly familiar people, from the Old Woman Who Lived in a Shoe to the Giant at the top of Jack’s beanstalk. But the Boy’s last adventure is the most amazing of all — and changes his life forever.
“YOU BE ME…AND I’LL BE YOU.”
ELLIE spent the summer before seventh grade getting dropped by her best friend since forever. JACK spent it training in “The Cage” with his tough-as-nails brothers and hard-to-please dad. By the time middle school starts, they’re both ready for a change. And just as Jack’s thinking girls have it so easy, Ellie’s wishing she could be anyone but herself.
Then, BAM! They swap lives—and bodies!
Now Jack’s fending off mean girls at sleepover parties while Ellie’s reigning as the Prince of Thatcher Middle School. As their crazy weekend races on—and their feelings for each other grow—Ellie and Jack begin to realize that maybe the best way to learn how to be yourself is to spend a little time being someone else.
For readers of Laura Hillenbrand’s Seabiscuit and Unbroken, the dramatic story of the American rowing team that stunned the world at Hitler’s 1936 Berlin Olympics
Daniel James Brown’s robust book tells the story of the University of Washington’s 1936 eight-oar crew and their epic quest for an Olympic gold medal, a team that transformed the sport and grabbed the attention of millions of Americans. The sons of loggers, shipyard workers, and farmers, the boys defeated elite rivals first from eastern and British universities and finally the German crew rowing for Adolf Hitler in the Olympic games in Berlin, 1936.
The emotional heart of the story lies with one rower, Joe Rantz, a teenager without family or prospects, who rows not for glory, but to regain his shattered self-regard and to find a place he can call home. The crew is assembled by an enigmatic coach and mentored by a visionary, eccentric British boat builder, but it is their trust in each other that makes them a victorious team. They remind the country of what can be done when everyone quite literally pulls together—a perfect melding of commitment, determination, and optimism.
Drawing on the boys’ own diaries and journals, their photos and memories of a once-in-a-lifetime shared dream, The Boys in the Boat is an irresistible story about beating the odds and finding hope in the most desperate of times—the improbable, intimate story of nine working-class boys from the American west who, in the depths of the Great Depression, showed the world what true grit really meant. It will appeal to readers of Erik Larson, Timothy Egan, James Bradley, and David Halberstam’s The Amateurs.
“FREE RANGE KIDS” has become a national movement, sparked by the incredible response to Lenore Skenazy’s piece about allowing her 9-year-old ride the subway alone in NYC. Parent groups argued about it, bloggers, blogged, spouses became uncivil with each other, and the media jumped all over it. A lot of parents today, Skenazy says, see no difference between letting their kids walk to school and letting them walk through a firing range. Any risk is seen as too much risk. But if you try to prevent every possible danger or difficult in your child’s everyday life, that child never gets a chance to grow up. We parents have to realize that the greatest risk of all just might be trying to raise a child who never encounters choice or independence.
An intriguing novel with a classic feel, featuring three vividly alive young sisters, an eccentric family struggling against the odds, and the slowly revealed story of a house with a past.
At the end of the world, near the border with Germany, stands a house as long as nine open arms. Half hidden behind trees and shrubs rises a wide brick wall, topped with two attic windows, each no bigger than a dishcloth. The walls have been whitewashed and the wooden floor is bare, as if the house is waiting. Waiting for someone to move in.
It is the summer of 1937, and it hasn’t rained for seven weeks when Fing and her family of nine move into Nine Open Arms, along with their handcart of meagre belongings. ‘The Dad’ is a man who does all kinds of jobs and none of them well, while Oma Mei courageously holds everything together, including the family’s history in her Crocodile bag full of pictures and stories. But as the year progresses, the family just gets poorer.
Meanwhile, Fing and her two sisters, wild Muulke and fearful Jess, begin to discover strange mysteries…a bed that looks like a tombstone, and an unmarked grave in the cemetery.
Nine Open Arms is an exceptional imagined historical mystery – the story of a very special home, the eccentric families who have lived within it, and the unexpected ties that emerge between the two..
This is a magical story of the love between mother and child and the gifts of kindness and understanding. Dragon King and Sea-Cat both live under the sea. Sea-Cat lives with his mother who sews him fabulous jewel-encrusted suits that shimmer and capture the attention of all who see him. Dragon King, the ruler, lives a sad and lonely life as he is so ashamed of his ugliness. When he sees Sea-Cat in his beautiful suit, he is overcome with jealousy and wants the suit for himself. But Sea-Cat is clever and kind and befriends Dragon King. Sea-Cat knows his mother can turn the Dragon King’s ruby tears into a most dazzling suit, just for him!
Where’d You Go, Bernadette meets Beautiful Ruins in this reverse love story set in Paris and London about a failed monogamist’s attempts to answer the question: Is it really possible to fall back in love?
Despite the success of his first solo show in Paris and the support of his brilliant French wife and young daughter, thirty-four-year-old British artist Richard Haddon is too busy mourning the loss of his American mistress to a famous cutlery designer to appreciate his fortune.
But after Richard discovers that a painting he originally made for his wife, Anne -when they were first married and deeply in love-has sold, it shocks him back to reality and he resolves to reinvest wholeheartedly in his family life . . . just in time for his wife to learn the extent of his affair. Rudderless and remorseful, Richard embarks on a series of misguided attempts to win Anne back while focusing his creative energy on a provocative art piece to prove that he’s still the man she once loved.
Skillfully balancing biting wit with a deep emotional undercurrent, debut novelist Courtney Maum has created the perfect portrait of an imperfect family-and a heartfelt exploration of marriage, love, and fidelity.
This much-anticipated follow-up to Jonathan Auxier’s exceptional debut,Peter Nimble and His Fantastic Eyes, is a Victorian ghost story with shades of Washington Irving and Henry James. More than just a spooky tale, it’s also a moral fable about human greed and the power of storytelling.
The Night Gardener follows two abandoned Irish siblings who travel to work as servants at a creepy, crumbling English manor house. But the house and its family are not quite what they seem. Soon the children are confronted by a mysterious spectre and an ancient curse that threatens their very lives. With Auxier’s exquisite command of language, The Night Gardener is a mesmerizing read and a classic in the making.
Olivia Susan Clemens, known as Susy Clemens was the eldest daughter and second child of Samuel Clemens (Mark Twain) and his wife Olivia Langdon Clemens. Susie is said to have inspired some of the character traits for Joan of Arc, in her father’s historical novel: Personal Recollections of Joan of Arc.
At the age of thirteen, Susy Clemens began work on a biography of her famous father, Samuel Clemens who wrote under the pen name, Mark Twain. Susie’s brief biography of Twain was eventually published as Papa: An Intimate Biography of Mark Twain in 1988. The book includes a brief recollection of young Susie meeting a dying Ulysses S. Grant as the former Civil War General and United States President worked on his personal memoirs for Twain’s publishing house. Twain included some passages from his daughter’s biographical sketch of him into his own autobiography.
In this middle-grade Bridesmaids, hilarity ensues as triplets have to stop a wedding!
One bride. Two boys. Three flower girls who won’t forever hold their peace. What could go wrong with this wedding? Everything!
The Brewster triplets, Dawn, Darby, and Delaney, would usually spend their summer eating ice cream, playing with their dog, and reading about the US Presidents. But this year they’re stuck planning their big sister Lily’s wedding. Lily used to date Alex, who was fun and nice and played trivia games with the triplets, and no one’s quite sure why they broke up. Burton, Lily’s groom-to-be, is not nice or fun, and he looks like an armadillo.
The triplets can’t stand to see Lily marry someone who’s completely wrong for her, so it’s up to them to stop the wedding before anyone says “I do!” The flower girls will stop at nothing to delay Lily’s big day, but will sprinklers, a photo slideshow, a muddy dog, and some unexpected allies be enough to prevent their big sister – and the whole Brewster family – from living unhappily ever after?
In her first memoir, Roz Chast brings her signature wit to the topic of aging parents. Spanning the last several years of their lives and told through four-color cartoons, family photos, and documents, and a narrative as rife with laughs as it is with tears, Chast’s memoir is both comfort and comic relief for anyone experiencing the life-altering loss of elderly parents.
When it came to her elderly mother and father, Roz held to the practices of denial, avoidance, and distraction. But when Elizabeth Chast climbed a ladder to locate an old souvenir from the “crazy closet”—with predictable results—the tools that had served Roz well through her parents’ seventies, eighties, and into their early nineties could no longer be deployed.
While the particulars are Chast-ian in their idiosyncrasies—an anxious father who had relied heavily on his wife for stability as he slipped into dementia and a former assistant principal mother whose overbearing personality had sidelined Roz for decades—the themes are universal: adult children accepting a parental role; aging and unstable parents leaving a family home for an institution; dealing with uncomfortable physical intimacies; managing logistics; and hiring strangers to provide the most personal care.
An amazing portrait of two lives at their end and an only child coping as best she can, Can’t We Talk about Something More Pleasant will show the full range of Roz Chast’s talent as cartoonist and storyteller.
On the faded Island Books sign hanging over the porch of the Victorian cottage is the motto “No Man Is an Island; Every Book Is a World.” A. J. Fikry, the irascible owner, is about to discover just what that truly means.
A. J. Fikry’s life is not at all what he expected it to be. His wife has died, his bookstore is experiencing the worst sales in its history, and now his prized possession, a rare collection of Poe poems, has been stolen. Slowly but surely, he is isolating himself from all the people of Alice Island-from Lambiase, the well-intentioned police officer who’s always felt kindly toward Fikry; from Ismay, his sister-in-law who is hell-bent on saving him from his dreary self; from Amelia, the lovely and idealistic (if eccentric) Knightley Press sales rep who keeps on taking the ferry over to Alice Island, refusing to be deterred by A.J.’s bad attitude. Even the books in his store have stopped holding pleasure for him. These days, A.J. can only see them as a sign of a world that is changing too rapidly.
And then a mysterious package appears at the bookstore. It’s a small package, but large in weight. It’s that unexpected arrival that gives A. J. Fikry the opportunity to make his life over, the ability to see everything anew. It doesn’t take long for the locals to notice the change overcoming A.J.; or for that determined sales rep, Amelia, to see her curmudgeonly client in a new light; or for the wisdom of all those books to become again the lifeblood of A.J.’s world; or for everything to twist again into a version of his life that he didn’t see coming. As surprising as it is moving, The Storied Life of A. J. Fikry is an unforgettable tale of transformation and second chances, an irresistible affirmation of why we read, and why we love.
American audiences have fallen in love with Jojo Moyes. Ever since she debuted stateside, she has captivated readers and reviewers alike, and hit the New York Times bestseller list with the word-of-mouth sensation, Me Before You. Now, with One Plus One, she’s written another contemporary opposites-attract love story that reads like a modern-day Two for the Road.
Suppose your life sucks. A lot. Your husband has done a vanishing act, your teenage stepson is being bullied and your math whiz daughter has a once-in-a-lifetime opportunity that you can’t afford to pay for. That’s Jess’s life in a nutshell—until an unexpected knight-in-shining-armor offers to rescue them. Only Jess’s knight turns out to be Geeky Ed, the obnoxious tech millionaire whose vacation home she happens to clean. But Ed has big problems of his own, and driving the dysfunctional family to the Math Olympiad feels like his first unselfish act in ages . . . maybe ever.
One Plus One is Jojo Moyes at her astounding best. You’ll laugh, you’ll weep, and when you flip the last page, you’ll want to start all over again.
In 1988 Su Meck was twenty-two and married with two children when a ceiling fan in her kitchen fell and struck her on the head, leaving her with a traumatic brain injury that erased all her memories of her life up to that point. Although her body healed rapidly, her memories never returned.
Yet after just three weeks in the hospital, Su was released and once again charged with the care of two toddlers and a busy household. Adrift in a world about which she understood almost nothing, Su became an adept mimic, gradually creating routines and rituals that sheltered her and her family, however narrowly, from the near-daily threat of disaster, or so she thought. Though Su would eventually relearn to tie her shoes, cook a meal, and read and write, nearly twenty years would pass before a series of personally devastating events shattered the normal life she had worked so hard to build, and she realized that she would have to grow up all over again.
In her own indelible voice, Su offers us a view from the inside of a terrible injury, with the hope that her story will help give other brain injury sufferers and their families the resolve and courage to build their lives anew. Piercing, heartbreaking, but finally uplifting, this book is the true story of a woman determined to live life on her own terms.
In her latest Richard Jury mystery, Martha Grimes delivers the newest addition to the bestselling series The Washington Post calls literate, lyrical, funny, funky, discursive, bizarre. The inimitable Scotland Yard Superintendent returns, now with a tip of the derby to Alfred Hitchcock’sVertigo.
Richard Jury is meeting Tom Williamson at Vertigo 42, a bar on the forty-second floor of an office building in London’s financial district. Despite inconclusive evidence, Tom is convinced his wife, Tess, was murdered seventeen years ago. The inspector in charge of the case was sure Tess’s death was accidental, a direct result of vertigo, but the official police inquiry is still an open verdict and Jury agrees to re-examine the case.
Jury learns that a nine-year-old girl fell to her death five years before Tess at the same country house in Devon where Tess died. The girl had been a guest at a party Tess was giving for six children. Jury seeks out the five surviving party guests, who are now adults, hoping they can shed light on this bizarre coincidence.
Meanwhile, an elegantly dressed woman falls to her death from the tower of a cottage near the pub where Jury and his cronies are dining one night. Then the dead woman’s estranged husband is killed as well. Four deaths, two in the past, two that occur on the pages of this intricate, compelling novel, keep Richard Jury and his sidekick Sergeant Wiggins running from their homes in Islington to the countryside in Devon and to London as they try to figure out if the deaths were accidental or not. And, if they are connected.
Witty, well-written, with literary references from Thomas Hardy to Yeats,Vertigo 42 is a pitch perfect, page-turning novel from a mystery writer at the top of her game.
When Lucy, Elena, and Michael receive their summer reading list, they are excited to see To Kill A Mockingbird included. But not everyone in their class shares the same enthusiasm. So they hatch a plot to get the entire town talking about the well-known Harper Lee classic. They plan controversial ways to get people to read the book, including re-shelving copies of the book in bookstores so that people think they are missing and starting a website committed to “destroying the mockingbird.” Their efforts are successful when all of the hullabaloo starts to direct more people to the book. But soon, their exploits start to spin out of control and they unwittingly start a mini revolution in the name of books.