The Wall Street Journal called him “a living legend.” The London Timesdubbed him “the most famous art detective in the world.”
In Priceless, Robert K. Wittman, the founder of the FBI’s Art Crime Team, pulls back the curtain on his remarkable career for the first time, offering a real-life international thriller to rival The Thomas Crown Affair.
Rising from humble roots as the son of an antique dealer, Wittman built a twenty-year career that was nothing short of extraordinary. He went undercover, usually unarmed, to catch art thieves, scammers, and black market traders in Paris and Philadelphia, Rio and Santa Fe, Miami and Madrid.
In this page-turning memoir, Wittman fascinates with the stories behind his recoveries of priceless art and antiquities: The golden armor of an ancient Peruvian warrior king. The Rodin sculpture that inspired the Impressionist movement. The headdress Geronimo wore at his final Pow-Wow. The rare Civil War battle flag carried into battle by one of the nation’s first African-American regiments.
The breadth of Wittman’s exploits is unmatched: He traveled the world to rescue paintings by Rockwell and Rembrandt, Pissarro, Monet and Picasso, often working undercover overseas at the whim of foreign governments. Closer to home, he recovered an original copy of the Bill of Rights and cracked the scam that rocked the PBS series Antiques Roadshow.
By the FBI’s accounting, Wittman saved hundreds of millions of dollars worth of art and antiquities. He says the statistic isn’t important. After all, who’s to say what is worth more –a Rembrandt self-portrait or an American flag carried into battle? They’re both priceless.
The art thieves and scammers Wittman caught run the gamut from rich to poor, smart to foolish, organized criminals to desperate loners. The smuggler who brought him a looted 6th-century treasure turned out to be a high-ranking diplomat. The appraiser who stole countless heirlooms from war heroes’ descendants was a slick, aristocratic con man. The museum janitor who made off with locks of George Washington’s hair just wanted to make a few extra bucks, figuring no one would miss what he’d filched.
In his final case, Wittman called on every bit of knowledge and experience in his arsenal to take on his greatest challenge: working undercover to track the vicious criminals behind what might be the most audacious art theft of all.
The Wall Street Journal called him “a living legend.” The London Timesdubbed him “the most famous art detective in the world.”
From Academy Award winner and bestselling author Diane Keaton comes a candid, hilarious, and deeply affecting look at beauty, aging, and the importance of staying true to yourself—no matter what anyone else thinks.
Diane Keaton has spent a lifetime coloring outside the lines of the conventional notion of beauty. In Let’s Just Say It Wasn’t Pretty, she shares the wisdom she’s accumulated through the years as a mother, daughter, actress, artist, and international style icon. This is a book only Diane Keaton could write—a smart and funny chronicle of the ups and downs of living and working in a world obsessed with beauty.
In her one-of-a-kind voice, Keaton offers up a message of empowerment for anyone who’s ever dreamed of kicking back against the “should”s and “supposed to”s that undermine our pursuit of beauty in all its forms. From a mortifying encounter with a makeup artist who tells her she needs to get her eyes fixed to an awkward excursion to Victoria’s Secret with her teenage daughter, Keaton shares funny and not-so-funny moments from her life in and out of the public eye.
For Diane Keaton, being beautiful starts with being true to who you are, and in this book she also offers self-knowing commentary on the bold personal choices she’s made through the years: the wide-brimmed hats, outrageous shoes, and all-weather turtlenecks that have made her an inspiration to anyone who cherishes truly individual style—and catnip to paparazzi worldwide. She recounts her experiences with the many men in her life—including Warren Beatty, Jack Nicholson, Al Pacino, and Sam Shepard—shows how our ideals of beauty change as we age, and explains why a life well lived may be the most beautiful thing of all.
Wryly observant and as fiercely original as Diane Keaton herself, Let’s Just Say It Wasn’t Pretty is a head-turner of a book that holds up a mirror to our beauty obsessions—and encourages us to like what we see.
The back must slave to feed the belly. . . . In this urgent and unique book, chef Michael Gibney uses twenty-four hours to animate the intricate camaraderie and culinary choreography in an upscale New York restaurant kitchen. Here readers will find all the details, in rapid-fire succession, of what it takes to deliver an exceptional plate of food—the journey to excellence by way of exhaustion.
Told in second-person narrative, Sous Chef is an immersive, adrenaline-fueled run that offers a fly-on-the-wall perspective on the food service industry, allowing readers to briefly inhabit the hidden world behind the kitchen doors, in real time. This exhilarating account provides regular diners and food enthusiasts alike a detailed insider’s perspective, while offering fledgling professional cooks an honest picture of what the future holds, ultimately giving voice to the hard work and dedication around which chefs have built their careers.
In a kitchen where the highest standards are upheld and one misstep can result in disaster, Sous Chef conjures a greater appreciation for the thought, care, and focus that go into creating memorable and delicious fare. With grit, wit, and remarkable prose, Michael Gibney renders a beautiful and raw account of this demanding and sometimes overlooked profession, offering a nuanced perspective on the craft and art of food and service.
Cartoonist Ellen Forney tells her personal story of confronting that she is bi-polar the best way she knows… through comics and sketches. She openly shares about her struggles to accept the she is bi-polar and the difficulty of finding just the right blend of medication and therapy so she can still be creative.
Lamott gives us an inside peek at her writing processes and the advice she gives to her workshop students. Hilariously written, as one reviewer notes, the book is “a warm, generous and hilarious guide through the writer’s world and its treacherous swamps.” Lamott is not shy about telling her students and readers that writing is hard work and what we think of as reward, publication, may not ever happen. And yet, we should keep on writing about ourselves, our lives, our very ups and downs. She encourages us all to just keep writing day by day. A good dose of humor is thrown in to keep us from getting too despondent. Lamott tackles libel, beginning writing, taking classes, and finding writing partners with a good dose of reality and fun in her text. I highly recommend it for any creative person who needs a good laugh.
The New York Times bestselling author of State of Wonder, Run, and Bel Canto creates a resonant portrait of a life in this collection of writings on love, friendship, work, and art.
“The tricky thing about being a writer, or about being any kind of artist, is that in addition to making art you also have to make a living.”
So begins This Is the Story of a Happy Marriage, an examination of the things Ann Patchett is fully committed to—the art and craft of writing, the depths of friendship, an elderly dog, and one spectacular nun. Writing nonfiction, which started off as a means of keeping her insufficiently lucrative fiction afloat, evolved over time to be its own kind of art, the art of telling the truth as opposed to the art of making things up. Bringing her narrative gifts to bear on her own life, Patchett uses insight and compassion to turn very personal experiences into stories that will resonate with every reader.
These essays twine to create both a portrait of life and a philosophy of life. Obstacles that at first appear insurmountable—scaling a six-foot wall in order to join the Los Angeles Police Department, opening an independent bookstore, and sitting down to write a novel—are eventually mastered with quiet tenacity and a sheer force of will. The actual happy marriage, which was the one thing she felt she wasn’t capable of, ultimately proves to be a metaphor as well as a fact: Patchett has devoted her life to the people and ideals she loves the most.
An irresistible blend of literature and memoir, This Is the Story of a Happy Marriage is a unique examination of the heart, mind, and soul of one of our most revered and gifted writers.
Art and madness. Do the two always have to go hand in hand? Is there a reason so many artists/writers/creative types struggle with mental illness? If they had been alive today, in the age of modern medicine and therapy, would they still have been able to create their masterpieces? Ellen Forney finds herself having to deal with this very issue as she, a long-time comic artist, is diagnosed as bi-polar. Forney doesn’t just tell her story; she does her research as well. Forney tells readers about the illness itself, the medications, side effects and so-called “mad” geniuses. Early on in her treatment, she worries about the medication taking away or diminishing her creativity. By the end, she has found a middle ground. Things aren’t perfect and never will be, but readers can tell that Ellen is going to wind up OK.
Marbles is a fantastic graphic memoir. Forney, who is an Eisner-Award winning cartoonist (and the artist for Sherman Alexie’s Absolutely True Diary of a Part-Time Indian) does an excellent job of demystifying this potentially devastating mood disorder by putting forth her story in a clear and concise narrative. It is abundantly clear that much of her progress is due to a talented doctor/therapist and a large support network of friends. Even so, it still took years to find balance and which serves as a good reminder to readers that these issues will not go away overnight or on their own. At times humorous, but always honest, this memoir is an excellent example of what the comic medium is capable of.
With startling candor and intimacy, Sonia Sotomayor recounts her life from a Bronx housing project to the federal bench, a progress that is testament to her extraordinary determination and the power of believing in oneself. She writes of her precarious childhood and the refuge she took with her passionately spirited paternal grandmother. She describes her resolve as a young girl to become a lawyer, and how she made this dream become reality: valedictorian of her high school class, summa cum laude at Princeton, Yale Law, prosecutor in the Manhattan D.A.’s office, private practice, federal district judge before the age of forty. She writes about her deeply valued mentors, about her failed marriage, about her cherished family of friends. Through her still-astonished eyes, America’s infinite possibilities are envisioned anew in this warm and honest book, destined to become a classic of self-discovery and self-invention, alongside Barack Obama’s Dreams from My Father.
This was a fantastic autobiography! Reminiscent of Diary of a Young Girl by Anne Frank, The Hiding Place provided the perspective of a Christian family in Holland hiding those who were fleeing Nazi persecution. I was amazed by the organization of the resistance and the positivity of Corrie ten Boom during one of the darkest times of history.
This is the true story of how Corrie ten Boom and her family became leaders in the Dutch underground when the Nazis invaded Holland, hiding Jewish people in their home in a specially built room.
Just when Hilary feels like her life is finally in order, she gets a sucker-punch to the gut: Her ex has written a novel based on their relationship in which he refers to her throughout as the “fat-assed girlfriend.” Her response to this affront is just one of the many hilarious stories in My Boyfriend Wrote a Book About Me–a laugh-out-loud, tell-all in which Hilary sets the record straight on all her exes.
From a young age, Andy Cohen knew one thing: He loved television. Not in the way that most kids do, but in an irrepressible, all-consuming, I-want-to-climb-inside-the-tube kind of way. And climb inside he did. Now presiding over Bravo’s reality TV empire, he started out as an overly talkative pop culture obsessive, devoted to Charlie’s Angels and All My Children and to his mother, who received daily letters from Andy at summer camp, usually reminding her to tape the soaps. In retrospect, it’s hard to believe that everyone didn’t know that Andy was gay; still, he remained in the closet until college. Finally out, he embarked on making a career out of his passion for television.
The journey begins with Andy interviewing his all-time idol Susan Lucci for his college newspaper and ends with him in a job where he has a hand in creating today’s celebrity icons. In the witty, no-holds-barred style of his show Watch What Happens Live, Andy tells tales of absurd mishaps during his ten years at CBS News, hilarious encounters with the heroes and heroines of his youth, and the real stories behind The Real Housewives. Dishy, funny, and full of heart, Most Talkative provides a one-of-a-kind glimpse into the world of television, from a fan who grew up watching the screen and is now inside it, both making shows and hosting his own.
When Victoria Loustalot was eight years old her father swept her up in a fantasy: a trip around the world. It was a grandiose plan and she had fallen for it. But it had never been so much as a possibility. Victoria’s father was sick. He was HIV positive and soon to fall prey to AIDS. Three years later he would be gone.
When Victoria realized that the grand trip with her father wasn’t going to happen, she was devastated. Her mother assumed she’d get over it, that eventually it would become just a shrug. But it didn’t. In the years to come, Victoria wondered what it would have been like to have been alone with her dad all those months, to see him outside of his sickness, beyond anything related to their family or their life. To have been with him in a new context. That’s what she wanted. And that’s what she did.
Some fifteen years after that initial promise, Victoria went to Stockholm, to Angkor Wat, and to Paris. She went to the places they were meant to see together, and she went to make peace with her father, too. Because while he’d always be forty-four, she’d gone on accumulating birthdays. Every year, her understanding of him continued to evolve and their relationship was still alive. Victoria Loustalot felt trapped beneath all of the unanswered questions he left behind. She needed to be set free. She needed to say goodbye.
Stephanie Pearl-McPhee uses the format of a travelogue to humorously describe knitter’s foibles (including the STASH). She also incudes a number of quizzes so you can find out what type of knitter, stasher, etc. you are. It was quiet funny and I actually learned a few things I hadn’t know (I am Not a process knitter).
During the expansion of the Ventura Freeway in Los Angeles, Willard Carroll unearthed a leatherbound scrapbook from a site that was once a pet cemetery. To his amazement, its yellowing pages contained the rags-to-riches story of Terry, the cairn terrier who played Toto in the enduring film The Wizard of Oz. Reprinted here in its entirety, I, Toto traces the canine star’s tragic beginnings, her exhilarating film career, and her happy retirement in Southern California. Best of all, it offers the inside scoop on Toto’s signature role, her costars, and the making of The Wizard of Oz.
There are also some endearing passages about Terry’s (a.k.a. Toto) interaction with Clark Gable, Shirley Temple, and Spencer Tracy. A book written from a dog’s point of view is not unique, but from this famous dog’s point of view it is unique.
Children and adults alike will like this book. There are plenty of pictures to entertain the young ones while an adult reads the story. It’s a very quick read and packed with lots of entertainment about a very special little dog.
In this memoir, iconic singer Linda Ronstadt weaves together a captivating story of her origins in Tucson, Arizona, and her rise to stardom in the Southern California music scene of the 1960s and ’70s.
Born into a musical family, Linda’s childhood was filled with everything from Hank Williams to Gilbert and Sullivan, Mexican folk music to jazz and opera. Her artistic curiosity blossomed early, and she and her siblings began performing their own music for anyone who would listen. Now, twelve Grammy Awards later, Ronstadt tells the story of her wide-ranging and utterly unique musical journey.
Ronstadt arrived in Los Angeles just as the folk-rock movement was beginning to bloom, setting the stage for the development of country-rock. After the dissolution of her first band, the Stone Poneys, Linda went out on her own and quickly found success. As part of the coterie of like-minded artists who played at the Troubadour club in West Hollywood, she helped define the musical style that dominated American music in the 1970s. One of her early back-up bands went on to become the Eagles, and Linda would become the most successful female artist of the decade. She has sold more than 100 million records, won numerous awards, and toured all over the world. Linda has collaborated with legends such as Emmylou Harris, Dolly Parton, Aaron Neville, J.D. Souther, Randy Newman, Neil Young, Bette Midler, and Frank Sinatra, as well as Homer Simpson and Kermit the Frog. By the time she retired in 2009, Ronstadt had spent four decades as one of the most popular singers in the world, becoming the first female artist in popular music to release four consecutive platinum albums.
In Simple Dreams, Ronstadt reveals the eclectic and fascinating journey that led to her long-lasting success. And she describes it all in a voice as beautiful as the one that sang “Heart Like a Wheel”—longing, graceful, and authentic.
I was so excited to read this that I did something I rarely ever do: read an entire ebook on my phone. For real. I hate reading on my phone, especially for extended periods of time, but I don’t have a tablet or e-reader, so there you go. I received an e-copy of the book via NetGalley and promptly downloaded it to my phone. I had intended just to begin the book and then patiently wait for a print copy, but couldn’t ultimately could not stop reading. And laughing. So much laughing. Allie Brosh’s book is painfully honest and laugh-out-loud-hilarious. And her mastery of MS Paint for dramatic effect is unparalleled.
Anyone who has ever read and enjoyed “Hyperbole and a Half” ought to pick this up right away and read it cover to cover. Anyone who has never checked out “Hyperbole and a Half” has serious deficiencies in their life and they need to start reading the blog and/or this book immediately.
While the library doesn’t own a copy yet, we probably will sooner or later. Until then, check out the blog at: http://hyperboleandahalf.blogspot.com
You won’t be disappointed.
One of the funniest books I have ever read! There I said it and it is true. I found myself actually laughing out loud during the reading of this book and have now become a huge Jenny Lawson fan. I want to hang out with her and hear more stories about her crazy taxidermist dad, her long-suffering but equally crazy husband Victor and Jenny’s crazy life and thoughts. I hope you are picking up the theme here…crazy! But in a good way.
This book starts with Jenny describing her childhood in Wall, Texas with her supportive mom and animal loving dad. We then move quickly through her school years; because really who wants to relive that! And we end with adulthood, marriage and motherhood. Jenny claims most of this book is true, and she does try to keep the reader informed of the not true parts. There are entertaining and unbelievable moments at every step of her life. From the magical squirrel hand puppet to the machete/vulture attack to the inevitable fascination with taxidermied animals, every moment is rife with crazy, funny incidents that will make you feel like your life is staid and boring in comparison.
Jenny narrates the audiobook herself and I would recommend reading it this way. She is hilarious and give little asides that may or may not be in the printed book. There is even a bonus chapter! As a disclaimer: there is a lot of cussing in this book. So if you don’t like bad words this may not be for you. But, it is really funny, super witty and just plain crazy…so read it!