Shelby Cooper tells us from the beginning what is going to happen to her. We know she will get hit by a car. What we don’t know is why or what will happen as a result. She gets hit by a car because she is deaf and did not hear it coming. What happens is that she and her mom go on the run and are chased by the FBI across Arizona. There is also a whole thing where Shelby has waking dreams where she is in “The Dreaming”, a Native American type spirit walk where she has to kill the crone and save the child. She has a spirit guide in Coyote, who also happens to be the cute boy Mark she meets at the library. The dreaming helps her come to terms with her life in the real world.
I am not sure what I think about this book. Part of me was really frustrated with the whole dreaming bits and how they kept pulling me out of the story. The other part of me really kind of enjoyed the real bits of the story. While I might not have liked Shelby as a character, she is sarcastic and rude and has definite body image problems. I did like the path her story took. I never knew what was coming next in this crazy ride Nick Lake created. I know his big thing is dual storylines (In Darkness), but I don’t think it was really necessary in this case. I didn’t believe the dreaming like I thought I was intended to and I just wanted those parts to end so we could get back to the real story. It was a compelling read however and I really couldn’t put it down.
I received a copy of this book from Netgalley.
This is one of those books that stays with you. Even days after I finished reading it I am still thinking about it and the world Lelye Walton created. I generally don’t like magical realism books; they just aren’t my thing, but there was something about this one that got its hooks into me and wouldn’t let go. The title is misleading; this is not just a book about Ava Lavender, the girl born with wings. It is the tragic story of her entire family going back generations. It starts with her great-grandfather moving the family to New York. New York is not gentle with the Roux family. All of them suffer for love and die, all except Emilienne who flees New York, marries a baker and moves to the house on Pinnacle Lane. Her husband dies early leaving her with neighbors who think she is a witch, a young Viviane to raise and a bakery. Viviane too has her troubles with love. She ends us broken hearted with two young children: Henry who barely speaks and sees things others cannot and Ava with her glorious wings. She sequestered them in the house on Pinnacle Lane but even that cannot stop the tragedy that seems to follow the family.
This is not a happy book in any way. There is death and loss and rape and people turning into birds. It is like a dark fairy tale told to scare children and warn them about the dangers of love. The entire time you are reading it you know terrible things are just around the corner. You want to warn the characters but you can’t. There is a lot that can’t be explained but you realize you don’t need an explanation. You can just believe that this is the way the world works in Walton’s mind. This is not a book for everybody but those that get lost in the story will have a hard time finding themselves again.
This a companion novel to the Wicked Lovely series by Melissa Marr. This novel takes place in the Mojave Desert where Rika (human and now fairy) chose to live. Rika, didn’t really belong with the desert fey. She basically lives in solitude. Ritka meets a human who is kind and a romance begins, so maybe, just maybe, fey can come out of hiding from the humans.
“Once upon a time, I was a little girl who disappeared. Once upon a time, my name was not Alice. Once upon a time, I didn’t know how lucky I was. When Alice was ten, Ray took her away from her family, her friends: her life. She learned to give up all power, to endure all pain. She waited for the nightmare to be over. Now Alice is fifteen and Ray still has her, but he speaks more and more of her death. He does not know it is what she longs for. She does not know he has something more terrifying than death in mind for her. This is Alice’s story. It is one you have never heard, and one you will never, ever forget”–Book flap.
This book was disturbing. The plot kept getting worse but it was hard to put it down. If you’re in the mood for a sad, dark story this is it.
Andi, Quinn, Dylan and Frederick are back in the real world after their adventures in Elorium. They starting having nightmares and decide it is time to go back and try to rescue Jack. Quinn’s brother Max gets sucked along for the ride. Elorium is not how they left it though. People are disappearing and others are having nightmares as well. This just makes the gang that much more determined to find Jack and figure out what is going on. There is a lot of adventure and excitement, a couple of people almost die, and there are a few other fairytales added to the mix.
I liked this second book in the Grimm Tales series. The story seemed a bit more cohesive than the first as we didn’t have to introduce characters and their stories all over again. There is plenty of action and intrigue as the group travels across Elorium to find Jack. I enjoyed the developing relationships between the boys and girls and the fact that the girls were awesome. Andi and Quinn pretty much ruled the adventure. They showed that girls can be smart, prepared and kick-butt as well.
Thanks to Netgalley for letting me read this book!
Addison was the most promising artist of her generation. Her death, a fall from a bridge, is a crushing blow to everyone who knew her. The prologue explains that the author, Griffin, was intrigued by Addison and thus began interviewing a wide variety of friends, family, exes, teachers, family acquaintances, etc. to gain a better understanding of who Addison was and what led to her death. Did she slip and fall? Was it intentional on her behalf? Did someone want her dead? Accounts of Addison vary depending on who is being asked, though everyone seems to agree that she was a phenomenal artist with some serious mental health issues. The narrative of the book is entirely commentary from the people in Addison’s life and begins more or less at the beginning with Addison’s early elementary school years. Also included are examples of Addison’s artwork and photos of Addison throughout her life.
We may never really know what caused Addison’s fatal slip, but we do get a much better idea of who she was and what brought her up on that bridge. Addison comes across as the quintessential “manic-pixie-dream-girl”. Everyone seems to want to know her, but she’s frequently aloof. Her art is clearly the most important part of her life, so much so that people, even those she cares about, come in at a distant second. Those who don’t like her come across as jealous of her magnetism and talent. She was clearly not the easiest person to be friends with; being her friend involved a lot of work.
I’ve recently come to the conclusion that I don’t really get into books that have this many different narrators. It’s incredibly difficult for me to warm up to any of the peripheral characters as we only know them through their relation to Addison and not on their own terms. While I felt like I learned a lot about Addison, I never felt like I knew her as a person, which was likely the intent. This is, however, an interesting experiment in form. There were a lot of themes at play here: the cult of celebrity, the connection between mental illness and creative genius, the effects of being precocious in a city like New York… As a thought experiment, the novel works, but I didn’t really love it.
It began as a day much like any other. Tariq Johnson was walking home after a trip to the local market, something he had done dozens of times before. Then, seemingly out of nowhere, a car pulls up. A white man gets out of the car and shoots Tariq. Tariq is dead by the time the EMTs arrive. The community, which is predominantly black, is thrown into an uproar. Violence is nothing new to the gang-ridden neighborhood, but this shooting is different. Tariq was only 16 years old and he was, by many accounts, unarmed. As the news picks up the story, it becomes apparent that this act of violence was about far more than just the two individuals involved. The incident quickly becomes national news and the lives of everyone connected with Tariq and his shooter are changed forever.
Tariq’s story is told from multiple perspectives, including his best friend, his family members, old friends, local gang members, the store clerk, the shooter’s friend who lives down the street, the girl who tried to give Tariq CPR…the list goes on. There’s even an Al Sharpton-type character in the mix. It becomes abundantly clear from early on that the narrative of the day’s events shifts significantly depending on who is doing the talking. The gang members want to believe that Tariq did have a gun and that he was planning on joining up with them, so his death signals an act of war to them. Tariq’s best friend wasn’t there, but can’t wrap his head around the idea of Tariq carrying a gun. The friend of the shooter swore up and down that he saw a gun in Tariq’s hand. Others are sure they didn’t see a gun; that Tariq had a Snickers bar in his hand instead. How It Went Down certainly feels timely and does much to emphasize patterns of racism, both conscious and subconscious. As with many other incidents like this (that were not captured on film), what actually happened is difficult to discern. Each narrator has a very specific point of view shaped by their perceptions not only of Tariq himself, but of the neighborhood and the stereotypes associated with young black men in living in poor areas like Tariq’s. Ultimately, there are only two people who have any real answers – the shooter and the shot- and neither one is talking. This is a great novel to teach the ways in which our preconceived notions can shape our interpretation of events, but it’s not the most literary of novels out there. It’s an important read, but only if the reader is willing and able to sort through a very large number of narrators only to find that there aren’t any “real” answers. In the end, I felt that it might have been better to develop fewer characters rather than confuse the issue further with so many individual points of view.
Althea and Oliver have been best friends ever since Althea moved in down the street from Oliver at the tender young age of six. Now in their senior year of high school, they are still inseparable, but complications are arising in their usually-easy friendship. Althea is starting to develop a romantic interest in Oliver. Oliver, while not adverse to the prospect of advancing his relationship with Althea, is busy dealing with a strange illness that causes him to fall asleep for weeks, even months, on end. Althea has been helping him through many of his episodes, but finds herself flailing in the meantime. She literally doesn’t know how to live her life without Oliver by her side. Oliver, on the other hand, is profoundly disturbed by the fact that he is missing vast chunks of his life. Even when he wakes up in the midst of a sleeping episode, he has no recollection of what has happened during his semi-conscious state. Right before one of Oliver’s episodes, he and Althea finally become physical. Then, of course, he loses consciousness and they are unable to even discuss what has just happened or what the next step will be. While Oliver is out, Althea does something that she knows she will regret, something that might ruin her relationship with Oliver forever. When Oliver eventually finds out, he is furious and attempts to cut Althea out of his life altogether. He decides to participate in a two-month sleep study in New York for those who have the same disease: Kleine Levin Syndrome, or KLS. When Althea figures out that Oliver has left town, she packs up her old Camry and heads off to New York to apologize and attempt to salvage her friendship.
Althea and Oliver’s story is completely unique. It’s easy to go into this book thinking that you know where it will end up, but this story never seems to go quite where you think it will. It’s not exactly a romance or a love story, but there’s a ton of heart. Althea isn’t always the most likeable of characters, but she’s absolutely relatable and her growth as a person is one of the highlights of this fantastic novel. Oliver’s development comes in fits and spurts, as could be expected for someone who literally loses months of his life at a time. The impact that Oliver’s illness has on Althea is almost as heartbreaking as its effect on Oliver, though I would hesitate to say that the novel is about Oliver’s KLS. In fact, it takes over half of the book to even get Oliver to the sleep study. In the meantime, Althea is learning to live her life on her own terms and not as Oliver’s counterpart. In New York, she makes friends of her own for the first time in her life and begins to realize that it might be possible for her to exist outside of Oliver’s shadow. Oliver begins to learn how to move forward in spite of an exceedingly uncertain future. Moracho takes some major risks with both of these characters, but they come out all the more realistic for it. Nothing is sugar-coated here. Althea and Oliver’s relationship is consuming, messy and complicated, much like real-life. Their story is simultaneously a train-wreck and a heartfelt bildungsroman. It’s not for every reader, but for the right readers, it’s utterly perfect.
Tana didn’t want to go to the party in the first place, especially since there was a really good chance of running into her ex, Aiden. When she wakes up in the tub the morning after the party, she’s more than a little embarrassed. Embarrassment, however, turns to horror as she walks out of the bathroom to discover that everyone who had been at the party with her is now dead; their blood soaking into the carpets. The only other survivors are the ex that she didn’t want to see in the first place and a trussed-up vampire. Realizing that what killed her friends is likely still around the house, she begins to panic. Fortunately for Aiden and Gavriel (the bound-up vampire), Tana can’t stomach the idea of leaving them to a similar violent fate and helps them escape from the house. The only place she can think of to go to is the nearby Coldtown, a quarantined area for vampires and those who are obsessed with vampires. It is obvious that Aiden has been bitten, so he’ll need to go to the Coldtown for sure. Tana gets scraped by a vampire’s tooth and might have gone “cold” (infected with whatever it is that causes vampirism) as well. The vampire Gavriel? Well, no one really seems to know where he came from, but it would appear that someone is out to kill him and he seems like a nice, albeit odd, fellow, so why not help him? The strange trio makes their way to Coldtown, but not without some difficulty along the way. Things in Coldtown aren’t likely to be any easier, but at least if Tana goes cold while she’s there, she won’t be worried about accidentally killing her father or little sister.
The Coldest Girl in Coldtown is a ton of fun and a smart spin on the vampire genre. This is a world where vampires are known to exist and Coldtowns have cropped up all over the place in an effort to contain them. Since vampires aren’t allowed to leave a Coldtown, they’ve turned them into a giant, nocturnal party scene. Live streams and vlogs keep the general public intrigued by showcasing the most decadent of their parties while the humans who have chosen to live in Coldtowns willingly offer up their blood to feed their vampire hosts. Tana’s journey is a bloody and dangerous one. She has no desire to become a vampire; honestly, she just wants her life to get back to normal. Or what passes for normal for a girl who is now motherless thanks to a rogue vampire. There’s a surprising amount of character development for a person in Tana’s position, which is another refreshing change of pace in this novel. Other characters are diverse and well-written. The story moves fast and it’s not even a series, so there’s really no reason not to spend a bit of time with this one. It doesn’t even matter if you’re still burnt out on the relatively recent glut of vampire novels; this one’s a winner.
Mila was never meant to learn the truth about her identity. She was a girl living with her mother in a small Minnesota town. She was supposed to forget her past—that she was built in a secret computer science lab and programmed to do things real people would never do.
Now she has no choice but to run—from the dangerous operatives who want her terminated because she knows too much and from a mysterious group that wants to capture her alive and unlock her advanced technology. However, what Mila’s becoming is beyond anyone’s imagination, including her own, and it just might save her life.
This is a series that I will probably read all the books as they are published. I really liked this book, an android who has no idea she is an android, is becoming more and more human. Mila struggles with what she believes are memories of a father who never really existed, finding out she is not who she thought she is, coming to terms with the fact that she really loved the woman she had thought of as her mom, and then determined to become who she wants to be and not a military machine. I’ll have to wait until the other books come out to find out if she accomplishes the last one. Highly recommended, even to boys!
An angry, grieving seventeen-year-old musician facing expulsion from her prestigious Brooklyn private school travels to Paris to complete a school assignment and uncovers a diary written during the French revolution by a young actress attempting to help a tortured, imprisoned little boy–Louis Charles, the lost king of France.
What was once the western United States is now home to the Republic, a nation perpetually at war with its neighbors. Born into an elite family in one of the Republic’s wealthiest districts, fifteen-year-old June is a prodigy being groomed for success in the Republic’s highest military circles. Born into the slums, fifteen-year-old Day is the country’s most wanted criminal. But his motives may not be as malicious as they seem.
From very different worlds, June and Day have no reason to cross paths – until the day June’s brother, Metias, is murdered and Day becomes the prime suspect. Caught in the ultimate game of cat and mouse, Day is in a race for his family’s survival, while June seeks to avenge Metias’s death. But in a shocking turn of events, the two uncover the truth of what has really brought them together, and the sinister lengths their country will go to keep its secrets.
Mortal Heart is the conclusion to one of my favorite trilogies. I am not sure you can go wrong with a series about medieval assassin nuns. This is Annith’s story. We have seen Annith get left behind each time one of her sisters has gone out on a mission. Now she wants to know why. Annith is the most skilled of all the initiates of Mortain. When a young, unskilled sister is sent out in her stead Annith rebels and confronts the Abbess. She learns she is meant to be the order’s seer and locked in the convent for the rest of her life. Annith wants none of that and sets out on her own to find answers. Along the way she rides with the Hellequin (Death’s riders) and the followers of St. Arduinna. She joins her sisters Sybella and Ismae in the service of the Duchess of Brittany. She discovers the truth of her origins, why she was held back at the convent and true love on her journey.
Annith is a fantastic character. She is strong and righteous and a true believer in the old gods. It is her faith that plays the biggest part in this book as she comes face to face with the old gods and learns what her role is. I love how this series ties actual historical events into the story. Duchess Anne really was besieged by the French and on the brink of losing her country. I thought the fantasy elements really worked with this story. I loved the Hellequin, which seemed like a wonderful mix of a biker gang and an old west posse. I wasn’t sure how the whole romance thing was going to turn out but I loved how it did. My only complaint about the book was the loose ends. I wanted everything tied up by the last page and it wasn’t. We never found out what really happened to Matelaine for instance. Those are just small quibbles though as this was a wonderful end to the series. I do hope the author returns to this world in future books as she really made this time period come alive and I want to know more.
So I’m not exactly sure how I feel about this book. I found the story itself intriguing, but there were aspects of it that were kind of annoying. I didn’t love it, but I didn’t truly hate it either. We Were Liars is the story of four cousins who spend their summers on a the family’s private island. So yes they are the rich elite of the East Coast. Grandma and Grandpa Sinclair have built houses on the island for all their pretty daughters and grandchildren. But of course the daughters are not happy with their lots in life basically because they are selfish, self-centered and living off daddy’s money. Their children aren’t as bad yet but you can see the potential. For of the kids are all the same age: Cadence (the oldest), Johnny (the first boy), Mirren and Gat (the sort of Indian step-cousin). Cadence and Gat fall in love the summer they are 15, but something happens that summer. Something no one will talk about to Cadence. All she knows is that she woke up on the beach with some kind of head trauma and now suffers from amnesia and migraines. She heads back to the island two years later and tries to figure out what happened and what no one is telling her.
So that all sounds intriguing and it is. However, you are told from the beginning that there is some kind of twist; the book was marketed that way so of course you know there is some kind of twist. I figured out the twist early on but not the how or the why of it. The truly annoying thing about the book was Cadence herself. She is our narrator and a very unreliable one. She is also prone to being overly dramatic and imaginative. The first time she describes being shot and bleeding out on the lawn you wonder what the heck just happened. When it keeps happening in different ways you realize she is talking about her feelings. Then there is the way the book is written. I listened to the audio which I think helped tremendously as you don’t notice the weird structure of the prose as much. It seems to be written in a very conversational tone with streams of consciousness and lack of punctuation or sentence structure. I can definitely see where that would get old fast. The other problem with the book, and this could have been completely intentional, was that the characters were not likeable. Cadence is a poor little rich girl who did something stupid and got away with it. She is almost as selfish and self-absorbed as her mother and aunts. All the adults in the book are manipulative and greedy. I am not sure who we are supposed to empathize with if anyone but I found I really could have cared less about the beautiful, special Sinclairs.
Amy Gumm thought life was tough in the trailer park with her druggie, depressed mother and the mean girls in school. But that was before before she was carried to Oz by a tornado, before she was rescued by a series of strange individuals, and before she was instructed, Dorothy must die. Sweet Dorothy returned to Oz only to rule it with an evil, greedy hand, gradually stealing all its magic for herself. Amy, also from Kansas and arriving on a tornado, has to reverse the earthling’s power by killing her. Paige has spirited readers back to The Wizard of Oz, fracturing the already strange classic by having good and wicked witches exchange places, amputating the flying monkeys’ wings, and creating a fear-eating lion, a nefarious Dr. Jekyll scarecrow, and a vicious tin soldier. Amy’s assignment? Navigate through magical defenses, while struggling with her own values of good and evil, to get to Dorothy
Ganta is recruited into the Scar Chain, an antiestablishment group planning a mass prison escape. After a brief meeting with Shiro, he stands at a crossroads, but Nagi persuades him to take part in the escape. However, a traitor has already leaked the plan to the Undertakers, a unit specially formed to stamp out the rebels.
Ganta enters the Carnival Corpse, a battle between two Branch of Sin users. Ganta’s next opponent is a timid girl; can he even take her on? Meanwhile, deep in the bowels of the prison, the warden stands face to face with the Red Man. Who really murdered Ganta’s friends?