An angry, grieving seventeen-year-old musician facing expulsion from her prestigious Brooklyn private school travels to Paris to complete a school assignment and uncovers a diary written during the French revolution by a young actress attempting to help a tortured, imprisoned little boy–Louis Charles, the lost king of France.
When Deacon James’s younger sister Melanie calls him, terrified, he goes to her aid in the small Georgia town of Sociable. What he finds is a scared young woman in the grip of what she insists is a paranormal nightmare–and murder. Two local men have been killed under mysterious circumstances. And Melanie is the prime suspect. Trinity Nichols left a high-stress job for quiet, small-town life. But news of the murders has left her–and the town–on edge, especially when there is nothing remotely ordinary about how the men died. And her investigation is yielding more than she bargained for, including a group of strangers who have descended on Sociable, some with abilities Trinity finds hard to believe, and agendas she refuses to trust. For some reason, they know a lot more than they should about what’s happening in town. And what’s happening is growing stranger by the minute. Now Trinity, Deacon, and this odd band of FBI agents must work together to solve a series of disturbances so incredible that Trinity, and the town of Sociable, will be changed forever. She just isn’t certain who–or what–will be left standing when it’s all over
So, I like Meg Wolitzer and thought I’d give her first novel a go.
Published when she was only twenty-three and written while she was a student at Brown, Sleepwalking marks the beginning of Meg Wolitzer’s acclaimed career. Filled with her usual wisdom, compassion and insight, Sleepwalking tells the story of the three notorious “death girls,” so called on the Swarthmore campus because they dress in black and are each absorbed in the work and suicide of a different poet: Sylvia Plath, Anne Sexton, and Wolitzer’s creation Lucy Asher, a gifted writer who drowned herself at twenty-four. At night the death girls gather in a candlelit room to read their heroines’ work aloud.
But an affair with Julian, an upperclassman, pushes sensitive , struggling Claire Danziger—she of the Lucy Asher obsession-–to consider to what degree her “death girl” identity is really who she is. As she grapples with her feelings for Julian, her own understanding of herself and her past begins to shift uncomfortably and even disturbingly. Finally, Claire takes drastic measures to confront the facts about herself that she has been avoiding for years.
Wealthy Richard Walker has just died, leaving behind his country house full of rooms packed with the detritus of a lifetime. His estranged family, bitter ex-wife Caroline, troubled teenage son Trenton, and unforgiving daughter Minna, have arrived for their inheritance. But the Walkers are not alone. Prim Alice and the cynical Sandra, long dead former residents bound to the house, linger within its claustrophobic walls.
Left for dead in the fields of rural Oregon, a young woman defies all odds and survives—but she awakens with no idea who she is, or what happened to her. Refusing to answer to “Jane Doe” for another day, the woman renames herself “Water” for the tiny, hidden marking on her body—the only clue to her past. Taken in by old Ginny Fitzgerald, a crotchety but kind lady living on a nearby horse farm, Water slowly begins building a new life. But as she attempts to piece together the fleeting slivers of her memory, more questions emerge: Who is the next-door neighbor, quietly toiling under the hood of his Barracuda? Why won’t Ginny let him step foot on her property? And why does Water feel she recognizes him?
Twenty-four-year-old Jesse Welles doesn’t know how long it will be before Water gets her memory back. For her sake, Jesse hopes the answer is never. He knows that she’ll stay so much safer—and happier—that way. And that’s why, as hard as it is, he needs to keep his distance. Because getting too close could flood her with realities better left buried.
The trouble is, water always seems to find its way to the surface.
I’m not sure why I went ahead and read The One since I thoroughly disliked The Elite. It was a bad choice. The One is basically a repeat of books one and two of this series. America is still unsure about her relationship with the prince, the castle is still constantly attacked by rebels, and character development is still awkward and stilted. This series was such a bore/snore/waste of my time!
So, once I realized that the secret would not be revealed in the first few chapters, I was entirely too impatient to wait. I’m not proud, but I looked up “the secret” online. I was worried it would be one of those books where the secret was NEVER revealed and I just couldn’t take it any more. Of course, soon after I looked it up, it was revealed in the book. So, if you decide to read this, you might want to be a tad more patient than I was. The secret IS revealed a little less than halfway through.
Imagine that your husband wrote you a letter, to be opened after his death. Imagine, too, that the letter contains his deepest, darkest secret—something with the potential to destroy not just the life you built together, but the lives of others as well. Imagine, then, that you stumble across that letter while your husband is still very much alive. . . .
Cecilia Fitzpatrick has achieved it all—she’s an incredibly successful businesswoman, a pillar of her small community, and a devoted wife and mother. Her life is as orderly and spotless as her home. But that letter is about to change everything, and not just for her: Rachel and Tess barely know Cecilia—or each other—but they too are about to feel the earth-shattering repercussions of her husband’s secret.
Acclaimed author Liane Moriarty has written a gripping, thought-provoking novel about how well it is really possible to know our spouses—and, ultimately, ourselves.
“From the New York Times bestselling author of Back Roads comes a fast-paced literary thriller about a forensic psychologist forced to face his own demons after discovering his small hometown terrorized by a serial killer. Dr. Sheridan Doyle–a fastidiously groomed and TV-friendly forensic psychologist–is the go-to shrink for the Philadelphia District Attorney’s office whenever a twisted killer’s mind eludes other experts. But beneath his Armani pinstripes, he’s still Danny Doyle, the awkward, terrified, bullied boy from a blue-collar mining family, plagued by panic attacks and haunted by the tragic death of his little sister and mental unraveling of his mother years ago. Danny returns home to Lost Creek, a town grappling with its own ghosts, and comes face-to-face with the town’s legacy of violence–when a dead body is discovered at the famous gallows where a band of rebellious Irish miners was executed 100 years ago. The body also has an eerie connection to the wealthy mining family behind the miners’ deaths. When he teams up with a veteran detective and father figure to get to the bottom of these heinous crimes, Danny realizes that he’s dangerously close to uncovering haunting secrets from his own past… In this masterfully told psychological thriller in the vein of Gillian Flynn’s Gone Girl, the past and present collide to put Lost Creek’s long-lived ghosts to bed”
Cuts grass when he’s not banging housewives. Good with his hands, his mouth, and his body. Has been pursued relentlessly by me for almost 2 years, whether he knows it or not.
Go ahead. Judge me. You have no idea what my love entails.
If you think you’ve heard this story before, trust me – you haven’t.
Alma DeGeer Dunahew, the mother of three young boys, works as the maid for a prominent citizen and his family in West Table, Missouri. Her husband is mostly absent, and, in 1929, her scandalous, beloved younger sister is one of the 42 killed in an explosion at the local dance hall. Who is to blame? Mobsters from St. Louis? The embittered local gypsies? The preacher who railed against the loose morals of the waltzing couples? Or could it have been a colossal accident?
Alma thinks she knows the answer-and that its roots lie in a dangerous love affair. Her dogged pursuit of justice makes her an outcast and causes a long-standing rift with her own son. By telling her story to her grandson, she finally gains some solace-and peace for her sister. He is advised to “Tell it. Go on and tell it”-tell the story of his family’s struggles, suspicions, secrets, and triumphs.
It was easy to call us forbidden and harder to call us soulmates. Yet I believed we were both. Forbidden soulmates.
When I arrived to Edgewood, Wisconsin I didn’t plan to find him. I didn’t plan to stumble into Joe’s bar and have Daniel’s music stir up my emotions. I had no clue that his voice would make my hurts forget their own sorrow. I had no idea that my happiness would remember its own bliss.
When I started senior year at my new school, I wasn’t prepared to call him Mr. Daniels, but sometimes life happens at the wrong time for all the right reasons.
Our love story wasn’t only about the physical connection.
It was about family. It was about loss. It was about being alive. It was silly. It was painful. It was mourning. It was laughter.
It was ours.
And for those reasons alone, I would never apologize for loving Mr. Daniels.
Absolutely fantastic. I give this book a starred review- Noelle
With the storytelling power of Wally Lamb and the emotional fidelity of Lorrie Moore, this is the searing drama of an American family on the brink of dissolution, one that explores adoption, gay marriage, and true love lost and found.
For years, Matthew Greene and Daniel Rosen have enjoyed a contented domestic life in Northampton, Massachusetts. Opposites in many ways, they have grown together and made their relationship work. But when they learn that Daniel’s twin brother and sister-in-law have been killed in a Jerusalem bombing, their lives are suddenly, utterly transformed.
The deceased couple have left behind two young children, and their shocked and grieving families must decide who will raise six-year-old Gal and baby Noam. When it becomes clear that Daniel’s brother and sister-in-law had wanted Matt and Daniel to be the children’s guardians, the two men find themselves confronted by challenges that strike at the heart of their relationship. What is Matt’s place in an extended family that does not completely accept him or the commitment he and Daniel have made? How do Daniel’s complex feelings about Israel and this act of terror affect his ability to recover from his brother’s death? And what kind of parents can these two men really be to children who have lost so much?
The impact that this instant new family has on Matt, Daniel, and their relationship is subtle and heartbreaking, yet not without glimmers of hope. They must learn to reinvent and redefine their bond in profound, sometimes painful ways. How does a family become strong enough to stay together and endure when its very basis has drastically changed? And are there limits to honesty or commitment–or love?
Each summer the wealthy, seemingly perfect Sinclair family meets on their private island. Cadence, Johnny, Mirren, and Gat are a unit, especially during “summer 15,” marking their fifteenth year on Beechwood– the summer that Cady and Gat fall in love. Cady became involved in a mysterious accident, in which she sustained a blow to the head, and now suffers from debilitating migraines and memory loss. When she returns to Beechwood during summer 17 issues of guilt and blame, love and truth all come into play.
A Face in the Crowd is a short story about an widower who is learning to live on his own. He attends a baseball game where he starts to see people from his past and each person is stranger then the next.
When Ross Buchanan is forced to resign as chairman of the Barrington Shipping Company, Emma Clifton wants to take his place, but Don Pedro Martinez plans to install his puppet, the egregious Major Alex Fisher, so he can destroy the Barrington family firm once and for all. The talented Jessica Clifton, Harry and Emma’s adopted daughter, wins a scholarship to the Slade Academy of Art and falls in love with a fellow student, Clive Bingham, who asks her to marry him. Both families are delighted and preparations for the nuptials are well under way, when Charlotte Bingham, Jessica’s future mother-in-law, has a visit from an old friend, Lady Virginia Fenwick, who drops her particular brand of poison into the wedding chalice. But then, without warning, a man no one had ever heard of takes his place on the board of Barringtons and causes an upheaval that none of them could have anticipated. Cedric Hardcastle, a bluff Yorkshire banker, quickly decides who he should support, Emma Clifton or Don Pedro Martinez, and the story takes yet another twist.
Thirteen-year-old Kyra has grown up in an isolated community without questioning the fact that her father has three wives and she has twenty brothers and sisters. That is, without questioning it much—if you don’t count her visits to the Ironton County Mobile Library on Wheels to read forbidden books, or her secret meetings with Joshua, the boy she hopes to choose for herself instead of having a man chosen for her. But when the Prophet decrees that Kyra must marry her sixty-year-old uncle—who already has six wives—she must make a desperate choice in the face of violence and her own fears of losing her family forever.
Melody is a bright, confident 11-yr-old, blessed with a photographic memory and the ability to “taste” music. She also has cerebral palsy, is unable to speak, and has extremely limited movement. Nearly everyone in her life assumes she is “slow,” and the frustration of not being able to prove otherwise is overwhelming. When a device to help Melody communicate finally is available to her, her intelligence is obvious to everyone. But, will she finally gain acceptance?
I appreciate how Draper refuses to take the easy, expected path with Melody’s story. Melody knows she is one of the smartest girls in any room, and she’s not afraid to make that fact known. Children (and adults) can be cruel when faced with someone deemed “different,” and Draper doesn’t wrap everything in a neat bow of acceptance. Making your place in the world can be tough, and Melody shows she is exactly that. A worthy award-winner.
If Danny Cartwright had proposed to Beth Wilson on any other day, he would not have been arrested and charged with the murder of his best friend. But when the prosecution witnesses happen to be a group of four upper-crust college friends—a barrister, a popular actor, an aristocrat, and the youngest partner in an established firm’s history—who is going to believe Danny’s side of the story?
Danny is sentenced to twenty-two years and sent to Belmarsh prison, the highest-security jail in the land, from where no inmate has ever escaped. But Spencer Craig, Lawrence Davenport, Gerald Payne, and Toby Mortimer all underestimate Danny’s determination to seek revenge—and the extent to which his fiancée Beth will go in pursuit of justice.
In The Supreme Macaroni Company, Adriana Trigiani transports readers from the cobblestone streets of Greenwich Village to lush New Orleans to Italy and back again while exploring the tricky dynamics between Old World craftsmanship and New World ambition, all amid a passionate love affair that fuels one woman’s determination to have it all.
For over a hundred years, the Angelini Shoe Company in Greenwich Village has relied on the leather produced by Vechiarelli & Son in Tuscany. This ancient business partnership provides the twist of fate for Valentine Roncalli, the schoolteacher turned shoemaker, to fall in love with Gianluca Vechiarelli, a tanner with a complex past . . . and a secret.
But after the wedding celebrations are over, Valentine wakes up to the hard reality of juggling the demands of a new business and the needs of her new family. Confronted with painful choices, Valentine remembers the wise words that inspired her in the early days of her beloved Angelini Shoe Company: “A person who can build a pair of shoes can do just about anything.” Now the proud, passionate Valentine is going to fight for everything she wants and savor all she deserves–the bitter and the sweet of life itself.
Romantic and poignant, told with humor and warmth, and bursting with a cast of endearing characters, The Supreme Macaroni Company is a sumptuous feast of delights: an unforgettable narrative about family, work, romance, and the unexpected turns of life and fate.