For all those fans of Star Wars who are also fans of the bard… comes this new trilogy of plays. This is the second book in the series that picks up the Elizabethan space adventure of young Luke and his trusty droids, C3-P0 and R2-D2. Told in beautiful verse and iambic pentameter experience the story of Star Wars as you never have before.
The final play in this trilogy of Elizabethan space adventure. Complete with rebels, droids, a power mad emperor and a dashing young hero. All in iambic pentameter of course and
illustrated with beautiful black-and-white Elizabethan-style artwork.
There are certain series I love but really wish I hadn’t discovered until the entire series is out. Why? Because I want to devour them all in one sitting of course. After having read the first two books in this series I was disappointed to find out I am going to have to wait until next year to read the next one. Ugh!!
Murder of Crows picks up where Written in Red left off. The citizens of the Lakeside Courtyard have successfully fought off the mercenaries who were coming to kidnap Meg and young Sam and take them back to the Controller. So one problem has been solved, but the bigger issues still remain. There are still lots of places with tensions running high between the terra indigene and the humans. There are more instances where the drugs gone over wolf and feel good have caused havoc. And now there are reports of tainted meat causing the same kinds of problems the drugs did. For those who know where the drugs are coming from this is disturbing news. The humans don’t seem to realize how tenuous their place is in the world and how short their time might be if they keep pissing off the Others. Meg’s prophecies are dark indeed and the future doesn’t look very good for the human population. Simon and the rest of the Lakeside Courtyard are trying to solve the problems before they escalate past the point of no return. They are working closely with the local police to find solutions and peace. It is not escaping the notice of other Courtyards or terra indigene. They are on the hunt for the Controller and the cassandra sangue he is using to poison the world.
I think I might have loved this book just as much as Written in Red. Anne Bishop does such a fantastic job of building the worlds she creates and making them come alive. She also does a fantastic job of creating characters you come to love and cheer for. I thought it was interesting that in this book, as in the last, the Others are not the bad guys. The bad guys are the humans. Sure the Others do terrible things, but they are not human and the reader isn’t expected to look at them through a human lens. They are other and for the most part think of humans as prey and meat. They tolerate humans because humans provide some of the things they enjoy, but they do not need humans and most of them never want to be around them. That is why I love the dynamic between the Lakeside Others and the humans who work with them. It is meant to show an ideal; it is an experiment to see if humans and Others can tolerate each other enough to live peacefully. It makes for thrilling storytelling.
Namid created the world and all those in it. When Namid created humans they were given a small part of the world; it was only after they ventured out of their area that they realized they were not the dominate species. The rest of the world was controlled by the Others and the humans had to learn to live with them. The Others are shapeshifters, vampires, elementals and others who you really don’t want to know about. As the humans moved out into the world they negotiated settlements with the Others who controlled the areas. Soon there are human towns surrounded by the terra indigene who control the world. There are also human cities with terra indigeneCourtyards. The Others control the world and everything in it; they decide where the humans live, how long they live there and what resources they get. It is up to the humans to become more than prey.
Meg is a cassandra sangue, a blood prophet, who sees prophecies when her skin is cut. She has run away from the Controller who operated the compound where she lived and controlled all aspects of her life. She ends up at the Lakeside Courtyard where she meets Simon Wolfgard and is given the job of human liason. It is her responsibility to take in all the mail and packages the residents of the Courtyard receive and make sure they are properly distributed. Lakeside isn’t like other Courtyards in that they interact more with the humans. They have stores the humans can use and they have human employees. Meg’s presence changes the dynamic of the Courtyard in a way no one could have foreseen. She forms relationships with the Others and with the humans in their employee. But Meg has powerful enemies and they are not willing to let such valuable property fall through their hands. They are determined to return her to the Controller not matter the cost.
Anne Bishop has again created a world and characters that suck you in and don’t let go. I loved the world she created in Namid and the creatures that inhabit it. It is very much our world with a different history. I like the new take on shapeshifters and vampires and the fact that we get to know their motivations and what they think of humans. I LOVED the elementals; they are my favorite characters in this series. The action of the book was great and I liked that this is a planned series so nothing was really tied up at the end of this book. It isn’t a cliff hanger, but there is a lot more story to tell in the future books in the series. I think the relationships between the charactesr and the world building are going to make this one of my favorite series.
In this 2nd book, we hear the story of the dragon sibling Wistala, the female clutchling who survives the attack of the nest. She attempts to rescue her father whom she finds near death on an outcropping. She has an adventure with a cat, and eventually takes up residence with a wise old elf named Rainfall, from whom she learns great wisdom and a gentleness of spirit. She spends some time in a traveling circus learning to tell individual’s fortunes. Eventually she is able to manipulate the downfall of her parent’s and sister’s murder by gaining the trust of her enemy and setting him up for a fall.
Temple has been on her own for a long, long time. She’s been living on an island lately, but the season is changing and it’s only a matter of time before the will have to move on. The zombies will come. So Temple takes off. She starts off attempting to stay with an established community, but accidentally kills a man in the process of defending herself from his advances. She is then forced to flee before the other men retaliate. Temple decides it’s better to move on her own. She picks up a companion, a man with special needs that she finds and feels compelled to help care for. Together, they embark upon a journey that takes them across the American South. They’ll meet a variety of other people and groups who have all adapted (or not adapted, as the case may be) to this post-apocalyptic and unforgiving landscape. All the while, the brother of the man killed by Temple is determined to track her down to exact his version of justice.
This book was amazing, particularly for a zombie novel. I’ve read a fair amount of zombie-related fiction, but nothing has ever had quite the same emotional impact that this book had. Of course, it’s really not so much about the zombies in the first place. It’s definitely Temple’s story. Temple is tough, street-smart and has the soul of a poet. The book opens on a moment that captivates Temple and fills her with a sense of wonder. Moments later, she’s smashing in the head of a zombie with a large rock. She’s compassionate to an extent, but survival is her primary motivation. And then there’s the fact that this book starts years after the zombie infection has taken hold. Temple doesn’t know who her parents were, she’s never seen the inside of a school. She doesn’t know how to read. She does, however, know how to survive. There’s also a running theme of religious imagery that is both poetic and thought provoking, particularly since it shares space with a setting that seems almost entirely devoid of happiness and hope. Highly recommended.
It’s hard to even know how to describe this graphic novel. It takes some of the cutest illustrations you’ve ever seen and turns them into something utterly chilling. A community of storybook-esque characters find themselves marooned in what appears to be a giant forest. The reader, of course, knows that the characters are actually tiny and have sprung from the head of young girl’s corpse. Because it’s that kind of story. Situations that would normally be adorable in a fairy tale setting wind up having unspeakable consequences and every turn of the page can yield either clever or maudlin humor. This juxtaposition makes for a totally engrossing experience than can really only be seen/read to be truly understood.
Absolutely fantastic. I give this book a starred review- Noelle
With the storytelling power of Wally Lamb and the emotional fidelity of Lorrie Moore, this is the searing drama of an American family on the brink of dissolution, one that explores adoption, gay marriage, and true love lost and found.
For years, Matthew Greene and Daniel Rosen have enjoyed a contented domestic life in Northampton, Massachusetts. Opposites in many ways, they have grown together and made their relationship work. But when they learn that Daniel’s twin brother and sister-in-law have been killed in a Jerusalem bombing, their lives are suddenly, utterly transformed.
The deceased couple have left behind two young children, and their shocked and grieving families must decide who will raise six-year-old Gal and baby Noam. When it becomes clear that Daniel’s brother and sister-in-law had wanted Matt and Daniel to be the children’s guardians, the two men find themselves confronted by challenges that strike at the heart of their relationship. What is Matt’s place in an extended family that does not completely accept him or the commitment he and Daniel have made? How do Daniel’s complex feelings about Israel and this act of terror affect his ability to recover from his brother’s death? And what kind of parents can these two men really be to children who have lost so much?
The impact that this instant new family has on Matt, Daniel, and their relationship is subtle and heartbreaking, yet not without glimmers of hope. They must learn to reinvent and redefine their bond in profound, sometimes painful ways. How does a family become strong enough to stay together and endure when its very basis has drastically changed? And are there limits to honesty or commitment–or love?
Mesmerizing and illuminating, Alice Hoffman’s The Museum of Extraordinary Things is the story of an electric and impassioned love between two vastly different souls in New York during the volatile first decades of the twentieth century.
Coralie Sardie is the daughter of the sinister impresario behind The Museum of Extraordinary Things, a Coney Island boardwalk freak show that thrills the masses. An exceptional swimmer, Coralie appears as the Mermaid in her father’s “museum,” alongside performers like the Wolfman, the Butterfly Girl, and a one-hundred-year-old turtle. One night Coralie stumbles upon a striking young man taking pictures of moonlit trees in the woods off the Hudson River.
The dashing photographer is Eddie Cohen, a Russian immigrant who has run away from his father’s Lower East Side Orthodox community and his job as a tailor’s apprentice. When Eddie photographs the devastation on the streets of New York following the infamous Triangle Shirtwaist Factory fire, he becomes embroiled in the suspicious mystery behind a young woman’s disappearance and ignites the heart of Coralie.
With its colorful crowds of bootleggers, heiresses, thugs, and idealists, New York itself becomes a riveting character as Hoffman weaves her trademark magic, romance, and masterful storytelling to unite Coralie and Eddie in a sizzling, tender, and moving story of young love in tumultuous times. The Museum of Extraordinary Things is Alice Hoffman at her most spellbinding.